[1] The triptych was commissioned around 1613 by Nicolaas Rockox (1560–1640) and his spouse Adriana Perez (1568–1619) for their funerary monument in the Recollects church in Antwerp.The year was changed from '1613' to '1615', presumably because Rubens started the painting in 1613, but only finished it in 1615 and then hung in the Lady Chapel behind the choir in the Recollects church in Antwerp.In this story the 11 surviving Apostles initially refused to believe that the person appearing in their midst was the resurrected Jesus.It has further been argued that this omission was intended by Rubens to highlight the need for true believers (such as the patrons themselves) to make a leap of faith when accepting the truth of the Resurrection of Christ rather than to seek corroboration in physical evidence.[2] For the depiction of the body of Christ, Rubens was likely inspired by the famous Antique sculpture of the Hermes Belvedere, which he had studied and whose beauty and proportions he had praised during his stay in Rome.