Consequences of War
The figure's skin and cape are dominated by the color red to further emphasize his identity as the Roman god of war.In Ancient Rome, the Temple of Janus would be closed to indicate times of peace while an open door denoted war.Venus is depicted in typical Rubensian fashion with characteristic rolls of exposed body (See Arrival of Marie de' Medici or The Judgment of Paris for comparison.Pestilence and Famine: These effects of war are depicted as monsters accompanying Fury Alekto in order to heighten the terror of the scene.As depicted in Consequences of War, the fighting led to the destruction of large areas of Europe as well as outbreaks of both pestilence and famine.Rubens, although closely allied to Isabella and the Spanish Netherlands, often had occasion to travel and visit foreign monarchs in his position as a court painter.The painter sought to bring Spain and England, traditional enemies, to peace in the hopes that the Spanish would then pressure the Dutch into following suit.During this period Rubens carried messages, demands, and concession agreements back and forth between Phillip IV and Charles I to ultimately reach a conclusion.However, Titian's most famous work, Venus of Urbino, undoubtedly inspired Rubens's depiction of her in Consequences of War.Furthermore, the careful use of color, light, and shadow as opposed to line to show space used by Carracci in Flight into Egypt became a key part of Rubens's style.