[2] It is the apotheosis of the outdoor courtly Merry Company genre painting, and anticipates the French Fête champêtre type of the next century.The subject of this piece is common in Baroque paintings, which used exaggerated motion and clear, easily interpreted detail to produce drama, tension, and grandeur.[3] Cupids interact with the individuals, bringing mythological figures into a realistic garden scene to produce a fantastical painting.[4] All around the group, symbols of matrimonial love can be found including: the cupids, a pair of doves, flower crowns, music making, and Juno’s peacock.The Garden of Love is believed to be celebration of his marriage to Rubens’ wife: Hélène Fourment.
Rubens with Hélène Fourment and their son Peter Paul
, 1639, now in the Metropolitan Museum of Art