The Ten Commandments (1923 film)
Lauded for its "immense and stupendous" scenes, use of Technicolor process 2, and parting of the Red Sea sequence,[3] the expensive film proved to be a box-office hit upon release.The opening statement explains that modern society mocked Judeo-Christian morality until it witnessed the horrors of World War I; it then beseeches the viewer to return to the Commandments, calling them "the fundamental principles without which mankind cannot live together.After their flight from Egypt, and the Crossing of the Red Sea, Moses climbs Mount Sinai and witnesses the Commandments given as writing in the sky, which he then carves into stone tablets.He earns a contract to build a massive cathedral and decides to cut the amount of cement in the concrete to dangerously low levels, pocketing the money saved and becoming very rich.In a rage, he kills Sally and attempts to flee to Mexico on a motorboat (Defiance), but rough weather sends him off course and he crashes into a rocky island.[2] Both she and DeMille eventually decided on an unusual two-part screenplay: a biblical prologue and a modern story demonstrating the consequences of breaking the Ten Commandments.He is not a sissy or a goody-goody, he is a regular fellow, an ideal type of man of high and steadfast principles, who believes the Commandments are as practicable in 1923 as they were in the time of Moses.Rumor had it that after the filming was complete, the massive sets – which included four 35-foot-tall (11 m) Pharaoh statues, 21 sphinxes, and gates reaching a height of 110 feet, which were built by a small army of 1,600 workers – were dynamited and buried in the sand.[9] The visual effect of keeping the walls of water apart while the Israelites walked through was accomplished with a slab of Jell-O that was sliced in two and filmed close up as it jiggled.[12][13] On its release, critics praised The Ten Commandments overall; however, the part of the film set in modern times received mixed reviews.The movie was banned in the 1930s in China under a category of "superstitious films" due to its religious subject matter involving gods and deities.