St Luke Passion (Penderecki)

The St Luke Passion (full title: Passio et mors Domini nostri Jesu Christi secundum Lucam, or the Passion and Death of Our Lord Jesus Christ According to St Luke) is a work for chorus and orchestra written in 1966 by Polish composer Krzysztof Penderecki.Despite the Passion's almost total atonality and use of avant-garde musical techniques, the musical public appreciated the work's stark power and direct emotional impact and the piece was performed several more times soon after its premiere on 30 March 1966.The contrapuntal equivalent of tone clusters is micropolyphony, which is one approach to texture that occurs in this piece (Stein 1979, 234).The chorus makes use of many extended techniques, including shouting, speaking, giggling and hissing.The St Luke Passion is scored for large forces: a narrator (who acts as the Evangelist); soprano, baritone and bass soloists (with the baritone singing the role of Christ and the soprano and bass taking other roles as necessary); three mixed choruses and a boys' choir; and a large orchestra consisting of: Woodwinds Brass
Krzysztof PendereckiNovaya Opera TheatreMoscowGospel of LukeStabat MaterLamentationschorusorchestraMieszko IPassionatonalityavant-gardemajor triadsa cappellaE majortone clustersfortissimomicropolyphonytexturetwelve-tone serialismB-A-C-H motiftone rowCantus Firmusextended techniquesnarratorEvangelistsopranobaritoneboys' choirWoodwindsflutespiccolosalto flutebass clarinetalto saxophonesbassoonscontrabassoontrumpetstrombonesPercussiontimpanibass drumtom-tomsbongossnare drumwood blocksraganellagüiroclavescymbalstam-tamstubular bellsvibraphoneKeyboardsharmoniumStringsviolinsviolasvioloncellosdouble bassesPsalmsGarden of GethsemaneImproperiaPange lingua gloriosi proelium certaminisGospel of JohnItalianduple meterList of compositionsThe Devils of LoudunParadise LostDie schwarze MaskeUbu RexNo. 2 "Christmas"No. 7 "Seven Gates of Jerusalem"No. 8 "Lieder der Vergänglichkeit"EmanationsAnaklasisThrenody to the Victims of HiroshimaPolymorphiaDe Natura SonorisThe Dream of JacobCapriccio for Violin and OrchestraCello Concerto No. 1FonogrammiPartitaUtrenjaCanticum Canticorum SalomonisMagnificatPolish RequiemLacrimosa No. 2Three Miniatures for Clarinet and PianoClarinet QuartetSextetPrelude for ClarinetRequiem of ReconciliationActionsNew TestamentLuke 1Annunciation to MaryElizabethand the shepherdsAdoration of shepherdsJohn the Baptist's BirthCensus of QuiriniusJesus' BirthCircumcisionPresentation at the TempleFinding in the TempleGenealogyBaptismTemptationCalling of MatthewCounting the costSermon on the PlainBeatitudesCalming the stormFeeding the 5000TransfigurationGreat CommandmentLord's PrayerProdigal sonOlivet DiscoursePassion of JesusLast SupperPilate's courtCrucifixionBurialEmpty tombResurrectionAscensionBenedictusFishers of menNew Wine into Old WineskinsNunc dimittis (Song of Simeon)Parable of the Unjust StewardRich man and LazarusThe four woes of JesusAbijahAndrewAugustusCaiaphasElishaGabrielHerod AntipasHerod the GreatJesus ChristJohn the BaptistJosephJoseph of ArimatheaJudas IscariotLazarusLysaniasMarthaMary, mother of JesusMary MagdaleneMary, sister of MarthaNaamanPhilip (apostle)Philip (tetrarch)Pontius PilateQuiriniusSimeonSimon PeterTheophilusThomasTiberius CaesarZebedeeZechariahAngelsPhariseesSadduceesSamaritansSanhedrinSeventy disciplesAbileneBethanyBethsaidaCapernaumDecapolisEmmausGalileeItureaJerusalemJordan RiverSamariaSea of GalileeTrachonitisLuke the EvangelistLuke–ActsAuthorship of Luke–ActsSynoptic GospelsGospel of MarkQ sourceL sourceTwo-gospel hypothesisJerusalem school hypothesisTextual variantsGospel of MarcionSt Luke Passion, BWV 246The SaviorPapyrus 2Codex NitriensisOhrid Glagolitic fragments