[2] The TARDIS lands at the South Pole in 1986, and the Doctor, Ben and Polly are taken to the Snowcap Base, a space tracking station, commanded by General Cutler.Space Command HQ in Geneva and Snowcap Base's chief scientist Dr. Barclay oppose Cutler, as the radiation from the exploding planet would cause immense loss of life on Earth.Gerry Davis rewrote the script to explain the Doctor's absence (his sudden collapse) and gave his dialogue to other characters, most noticeably Ben.As such, it is included in a list of the twenty most wanted missing programmes (as drawn up by the British National Film Theatre) alongside the BBC studio footage from the Apollo 11 landings (which is currently held only in soundtrack form).[7] Popular myth has it that the only surviving telerecording copy of the fourth episode was lost when loaned out to the children's programme Blue Peter in 1973 when they wished to use a clip from it in a feature on the tenth anniversary of Doctor Who.In 2000, BBC Video released the story on VHS, with episode four reconstructed by the Doctor Who Restoration Team using still photos, existing clips and the surviving audio soundtrack.[8] ^† Episode is missing In 2009, Patrick Mulkern of Radio Times found the original Cybermen design like "usherettes from some kinky, futuristic moviehouse", but praised the character of Cutler and Hartnell's Doctor.[15] The Cybermen were conceived for The Tenth Planet by scientist and writer Kit Pedler and screenwriter Gerry Davis as a depiction of the ultimate outcome of biomechatronic and prosthetic technology in medical science.The writer John Kenneth Muir has noted that Pedler and Davis had previously written about dystopian scientific themes, and would later collaborate on Doomwatch, a speculative fiction BBC TV drama series.[16] The writer Kevin S. Decker has evaluated the role of the Cybermen introduced in The Tenth Planet in terms of the traditions of continental philosophy, and considers that they have been deliberately crafted by Davis and Pedler to symbolise the Others in opposition to the human race.Decker states that this sense of Otherness is achieved by Pedler's focus on the theme of "dehumanising medicine" by presenting a race of humans who have replaced most of their flesh and organs with cybernetic parts.[17] Graham Sleight notes that The Tenth Planet was produced at a time when modern medicine was pioneering transplant surgery, lending a sense of topicality to Davis and Pedler's concept for malevolent cyborgs.He also finds contemporary significance with the 1960s rocket programmes, and notes that the multinational makeup of the Antarctic base crew is particularly noteworthy, having no precedent in earlier Doctor Who stories.[18] The introduction of the concept of regeneration in The Tenth Planet is noted as a landmark in the show's history, and it has been credited with establishing the longevity of the television series by ensuring the survival of the character of The Doctor.The story was released on VHS in the UK in 2000 from BBC Video, with the fourth episode reconstructed by the Doctor Who Restoration Team using still photos, existing clips and the surviving audio soundtrack.
Undergoing several design modifications after their 1966 debut, Cybermen became a popular adversary in future
Doctor Who
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