Despite a sometimes stormy relationship with Judy Garland, CBS had found success with several television specials featuring the star.Garland, who for years had been reluctant to commit to a weekly series, saw the show as her best chance to pull herself out of severe financial difficulties.[6] The relationship between CBS and Garland and her then-husband and manager, Sid Luft, dissolved in acrimony in 1957, after they and agent Freddie Fields were unable to come to terms with the network over the format of her next special.[9] The Judy Garland Show special,[a] guest starring Frank Sinatra and Dean Martin, was nominated for four Emmys.[13] Alternately promoted as a preview and a pilot for Garland's upcoming regular series,[12] this special was also nominated for an Emmy.Bob Finkel, whose credits included shows for Dinah Shore and Andy Williams, was next approached but similarly refused to relocate.[23] In addition to musical performances from Garland and the week's guest stars, the series' initial format included the recurring segments "Born in a Trunk" (the name taken from a number in A Star is Born), in which Garland would tell stories of her show business career and sing a related song, and "Tea for Two", which would feature her chatting with a surprise guest.Although initially planned for an East Coast shoot, The Judy Garland Show was taped in Studio 43 at CBS Television City in Los Angeles.The corridor that led from her dressing room to the stage was painted to resemble the Yellow Brick Road from The Wizard of Oz.Varying reports have Schlatter being fired by James Aubrey, Jr. (president of CBS) or by Garland herself, but in either case, production was suspended for five weeks.As well, Ken Murray was briefly featured as a regular, showing his home movies of Hollywood stars, but was dropped after four episodes.[31] Despite The Judy Garland Show's announced cancellation, it was allowed to finish out the 1963/64 season, and continued to tape episodes for broadcast.During these final episodes, following Show 22 specifically, Tormé was fired and was replaced by Bobby Cole, a musician Garland had met recently in New York.[32] Tormé would later file suit for breach of contract[33] and write a tell-all book about the series, The Other Side of the Rainbow: With Judy Garland on the Dawn Patrol.In addition to the replacement of key production staff and constantly revising the format, Garland was also summoned to New York to receive such bits of information as she was touching her guests too much and was instructed to stop.Nevertheless, numerous episodes featuring Van Dyke had already completed taping and would continue to air, meaning that the changes in the show's format would not be apparent to viewers for several weeks.This format, including several "Judy Garland in Concert" solo episodes, would remain more or less intact for the remainder of the series.
Garland with
Tony Bennett
in episode 5. Garland would shortly be instructed to stop touching her guests.