Otti Berger

Berger’s Jewish family was granted unrestricted residence and freedom in religion under the rule of Emperor Franz Joseph I.Due to a previous illness, Berger suffered from partial hearing loss, which was said to have heightened or enhanced her sense of touch.[7] Along with Anni Albers and Gunta Stölzl, Berger pushed back against the understanding of textiles as a feminine craft and utilized rhetoric used in photography and painting to describe her work.[6] During her time in Dessau, she also wrote a treatise on fabrics and the methodology of textile production, which stayed with Walter Gropius and was never published.[7][3] It was a short-lived position, however, as she was replaced in 1932 by Lilly Reich, the partner of new Bauhaus director Ludwig Mies van der Rohe.[10] She fled to London in 1937, where she was able to support herself with sporadic design contracts,[8] including work with Helios Ltd and Marianne Straub."[8] Over the course of several years, Berger's attempts to emigrate to United States to work with her fiancé Ludwig Hilberseimer and other Bauhaus professors failed.[3] After several years spent with family, in April 1944 Berger was deported alongside her brother, half-brother, and his wife to a detention camp in Mohács.
people smiling with costumes
Party at Otti Berger's. Berger is at the back row far right, with an headdress. Digital image courtesy of the Getty's Open Content Program.
blue and white rectangular fabric pattern
Sample textile designed by Otti Berger
fabric swatches
Sample textile book of 22 various designs by Berger using synthetic dyes and mercerized cotton. [ 5 ]
Zmajevac, CroatiaAustria-HungaryAuschwitzPolandBauhausTextilesweavingtextile artistweaverthe HolocaustEmperor Franz Joseph IZmajevacAustro-Hungarian EmpireCroatiaAcademy of Fine Arts, University of ZagrebZagrebDessauLászló Moholy-NagyPaul KleeWassily KandinskyAnni AlbersGunta StölzlWalter GropiusLilly ReichLudwig Mies van der RoheLudwig HilberseimerAuschwitz concentration campBusch-Reisinger MuseumMetropolitan Museum of ArtArt Institute of ChicagoFriedl Dicker-BrandeisMargaretha ReichardIvana Tomljenović-MellerProject MUSEWayback MachineGetty CenterBasketweaveCharvetCoverletDouble weaveEven-weaveGabardineLampasLeno weaveOxfordPile weavePiquéPlain weaveSwivelWarp and weftBarber-Colman knotterBeamerChilkat weavingFingerweavingFlying shuttleHeddleInkle weavingKasuriNavajo weavingPibionesSalish weavingShuttleSizingSizing machineTablet weavingTānikoTapestryTempleWattleWickerAir-jet loomDandy loomDobby loomHattersley loomHorrocks loomJacquard loomLancashire loomNorthrop loomPower loomRapier loomRoberts loomWarp-weighted loomAcesasMicheline BeaucheminJohanna BrunssonAda DietzThomas Ferguson & Co LtdElisabeth ForsellDorothy LiebesEthel MairetMaria Elisabet ÖbergMargaretha ReichardtJohn RylandsBrigitta ScherzenfeldtClara ShermanJudocus de VosMargaretha ZetterbergMore loomsKissing the shuttlePiece-rate listBancroft ShedQueen Street Mill