Dorothy Liebes
[3] After working abroad, Liebes returned to the United States and opened her eponymous studio in San Francisco.[4] Her first studio, opened at 526 Powell Street in San Francisco in 1930, specialized in custom handwoven pieces for architects and interior designers.[1][7] Her fabrics were known for their bold color combinations and interesting textures, and often used unexpected materials such as feathers, plastics, metallics, jute, ticker tape, leather strips, and bamboo.[1][7] They were commissioned by architects, including Frank Lloyd Wright, Edward Durell Stone, Miller and Pflueger and Samuel Marx.[1][8] Other clients included King Ibn Saud of Saudi Arabia, the Ahwahnee Hotel in Yosemite, and the Paramount Theatre in Oakland, California.She once remarked in a lecture to design students in Chicago, “Consider the shining cellophanes, dull acetates, lacquered plastics, treated leathers, artificial horsehair, non-tarnishable materials and glass threads!” Dorothy Liebes is often credited as a vital part of the California Modernist movement, and in the 1940s and 50s she was one of the most well-known textile designers in the United States.[10] Dorothy Liebes was a talented weaver, but she was also a sharp businesswoman who believed that mass-produced textiles could reach wider audiences, regardless of client budgets.