I Will, I Will... for Now

It was made by Brut Productions the short lived film company of Faberge, headed by George Barrie."[9] Gene Siskel of the Chicago Tribune gave the film two stars out of four and called it a "tired sex comedy" with humor "about as modern as a whoopee cushion."[10] Charles Champlin of the Los Angeles Times panned the film as a "tone-deaf and grimly forced" attempt to update the screwball comedy formula, though he added that "the movie is almost worth seeing just for the pleasure of gazing upon Ms. Keaton who is beautiful, intelligent, warm, amusing and sympathetic."[11] Gary Arnold of The Washington Post wrote, "Gould and Keaton are no negligible screen personalities or comic performers, so it's especially agonizing to see them trapped inside of an antiquated laugh-provoking machine."[12] John Pym of The Monthly Film Bulletin wrote, "A relentless flow of innuendo, limp wisecracks and an attempted tone of sexual sophistication (buttressed by a series of ludicrously opulent sets) suggest that I Will...I Will... For Now was derived from some rejected Doris Day—Rock Hudson script of the Fifties.
Norman PanamaGeorge BarrieElliott GouldDiane KeatonPaul SorvinoJohn A. AlonzoRobert LawrenceJohn CameronBrut Productions20th Century Foxromantic-comedy filmVictoria PrincipalRobert AldaWarren BerlingerCandy ClarkRoss HunterPaul NewmanGlenda JacksonWhiffsRoger EbertChicago Sun-TimesRichard EderThe New York TimesVarietyGene SiskelChicago TribuneCharles ChamplinLos Angeles Timesscrewball comedyThe Washington PostThe Monthly Film BulletinDoris DayRock HudsonAFI Catalog of Feature FilmsAmerican Film InstituteRogerEbert.comRotten TomatoesThe Reformer and the RedheadStrictly DishonorableCallaway Went ThatawayAbove and BeyondKnock on WoodThe Court JesterThat Certain FeelingThe TrapThe Road to Hong KongNot with My Wife, You Don't!The Maltese BippyHow to Commit Marriage Coffee, Tea or Me?Barnaby and Me