Baby Doll is a 1956 American black comedy film directed by Elia Kazan and starring Carroll Baker, Karl Malden and Eli Wallach.Archie Lee impatiently waits for her 20th birthday, when, by prior agreement with her now-deceased father, the marriage can finally be consummated.After Archie defaults on payments to a furniture-leasing company due to his failing cotton gin, virtually all the furniture in the house is repossessed, and Baby Doll threatens to leave.Bosley Crowther of The New York Times wrote in a generally favorable review that Tennessee Williams "has written his trashy, vicious people so that they are clinically interesting...But Mr. Kazan's pictorial compositions, got in stark black-and-white and framed for the most part against the background of an old Mississippi mansion, are by far the most artful and respectable feature of 'Baby Doll.'"[12] Variety wrote that Kazan "probably here turns in his greatest directing job to date" and praised the "superb performances," concluding that the film "ranks as a major screen achievement and deserves to be recognized as such."[14] John McCarten of The New Yorker praised the cast as "uniformly commendable" and wrote that the plot machinations "add up to some hilarious French-style farce, and it is only at the conclusion of the piece, when Mr. Kazan starts moving his camera around in a preternaturally solemn way, that one's interest in 'Baby Doll' briefly wanes.Edwin Schallert of the Los Angeles Times wrote that the film "offers an experience so basically sordid, and so trying besides, that if one does not manage to laugh at its fantastic ribaldry, he will think that he has spent two hours in bedlam."[17] Harrison's Reports called the film "thoroughly unpleasant and distasteful screen fare, in spite of the fact that it is expertly directed and finely acted.[19] Baby Doll courted controversy before its release with the display of a promotional billboard in New York City that depicted Baker lying in a crib and sucking her thumb.[3] Response to the film from Catholic laity was mixed,[22] and Episcopal bishop James A. Pike argued that The Ten Commandments contained more "sensuality" than did Baby Doll.[23] Speculation arose among some audiences that during their scene together on a swinging chair, Wallach's character was fondling Baby Doll underneath her dress because his hands are not visible in the frame.[38] The latest adaptation supplemented parts of the film script with material based on several others of Williams' works, including Tiger Tail.