So What chord

It was employed by Bill Evans in the "'amen' response figure"[1] to the head of the Miles Davis tune "So What".It may also be thought of as a five-note quartal chord (built from fourths) with the top note lowered by a semitone.Other jazz recordings that make extensive use of the chord include McCoy Tyner's "Peresina" and Gary Burton's "Gentle Wind and Falling Tear".Tyner's use of similar voicings was an early influence on Chick Corea; it can be heard in tunes such as "Steps" and "Matrix" (both featured on his landmark album Now He Sings, Now He Sobs).The term "So What chord" is used extensively in Mark Levine's landmark work The Jazz Piano Book, wherein he describes a range of uses for which the voicing might be employed.
jazz harmonyvoicingperfect fourthmajor thirdBill EvansresponsefigureMiles DavisSo Whatquartal voicingsplaningguitareleventh chordsemitonetertialcompingmajor scaleMixolydian modeMcCoy TynerPeresinaGary BurtonChick CoreaNow He Sings, Now He SobsMark LevineThe Jazz Piano BookFrank MantoothMann, MartanLevine, MarkMantooth, FrankChordsAugmentedDiminishedSuspendedSeventhDominantDominant seventh flat fiveHalf-diminishedDiminished majorMinor-majorAugmented majorAugmented minorAltered seventhNondominantHarmonic seventhExtendedEleventhThirteenthUpper structureDominant 7♯9PolychordTone clusterAugmented sixthLydianSeven sixBridgeComplexe sonoreElektraFarbenMysticNorthern lightsPetrushkaPsalmsTristanViennese trichordMixed intervalSecundalTertianQuartalSynthetic chordTetradfunctionDiatonicSupertonicMediantSubdominantSubmediantLeading toneSubtonicAlteredApproachBorrowedChromatic mediantNeapolitanPassingSecondarySecondary dominantSecondary leading-toneSecondary supertonicCommonContrastPrimary triadSubsidiarySubstituteChordioidChord-scale systemArpeggioChord names and symbolsList of chordsFactortheoryimprovisationAvoid noteBackdoor progressionBar-line shiftBebop scaleBird changesBlock chordBlue noteCadenzaCall and responseColtrane changesConstant structureContrafactElectroacoustic improvisationFree improvisationGrooveHarmolodicsHarmonyJam bandJam sessionJazz chordJazz improvisationLead sheetMelodic patternOutsidePolyrhythmRhythm changesSyncopationTurnaroundii-V-ITadd DameronTwelve-bar blues