Bebop scale

Having eight notes enables the primary chord tones to continuously fall on the on-beats when the scale is played sequentially.Chord tones on on-beats are characteristic of all strong melodies throughout musical history.The bebop dominant scale is derived from the Mixolydian mode and has a chromatic passing note added in between the flatted 7th (♭7) and the tonic.Ben-Hur further elaborates on the concept of placing additional chromatic passing tones between other notes in the scales.The seventh flat 5 diminished scale (which is identical to Messiaen's sixth mode of limited transposition) is derived from the whole tone scale, with an added fourth and a natural seventh degree.
common seven tone scaleon-beatsjazz improvisationDavid BakerBebop EraCharlie ChristianCharlie ParkerBud PowellDizzy Gillespienon-chord tonesMixolydian modedominant seventh chordsII-V chord progressionsIonian modemajor scaleBarry Harrismajor sixth chordmelodic minor scalejazz minor scalepassing noteharmonic minor scaleminor sixth chordsminor sixth chordDavid N. Baker'sRoni Ben-Hurnatural minor scaleAeolian modewhole tone scaleChord-scale systemtheoryimprovisationAvoid noteBackdoor progressionBar-line shiftBird changesBlock chordBlue noteCadenzaCall and responseChordioidColtrane changesCompingConstant structureContrafactElectroacoustic improvisationFree improvisationGrooveHarmolodicsHarmonyJam bandJam sessionJazz chordSo WhatLead sheetMelodic patternOutsidePolyrhythmRhythm changesSyncopationTurnaroundii-V-ITadd DameronTwelve-bar bluesUpper structureMusical scalesPentatonicDiatonicChromaticDiminished scaleDistance modelDouble harmonicEnharmonicEnigmaticFlamenco modeHarmonicHarmonic majorHarmonic minorJazz minorMajor LocrianPhrygian dominantPtolemy's intense diatonicScale of harmonicsSymmetricSynthetic modeSynthetic scaleWhole toneAlgerianQuarter tone17 equal temperamentEscala nordestinaSlendroHungarian majorHungarian minorIstrianJapaneseJewish nusachNeapolitanPersianRomanian majorUkrainian DorianBohlen–PierceModes in Western musicGregorianAuthenticDorianPhrygianLydianMixolydianPlagalHypodorianHypophrygianHypolydianHypomixolydianIonianHypoionianAeolianHypoaeolianLocrianHypolocrianReciting toneIonian (I)Dorian (II)Phrygian (III)Lydian (IV)Mixolydian (V)Aeolian (VI)natural minorLocrian (VII)Jazz minor (I)ascending melodic minorDorian ♭2 (II)Lydian augmented (III)Acoustic (IV)Aeolian dominant (V)descending melodic majorHalf diminished (VI)Altered (VII)Harmonic minor (I)Ukrainian Dorian (IV)Phrygian dominant (V)Harmonic major (I)Double harmonic scaleDouble harmonic (I)Hungarian minor (IV)MonotonicDitonicTritonicTetratonicHexatonicHeptatonicOctatonicDecatonic