Shimshon Holzman

In 1926, Holzman began private studies under Yitzhak Frenkel at the studio of painting arts of the Histadrut School where he also worked with Mordechai Levanon, Ziona Tajar, Avigdor Stematsky, Yehezkel Streichman, Moshe Castel, and Arie Aroch.Israeli art scholar Gideon Ofrat writes of Holzman's time in France: he "brought from Paris impeccably French interiors and landscapes in expressionistic oils, but replaced them with lighthearted aquarelles in the manner of Raoul Dufy and Henri Matisse."As a result of his studies under Frenkel - himself heavily influenced by the École de Paris - and lengthy stays in France, Holzman's oeuvre has a strong French undercurrent.Gideon Ofrat further explains: "Holzman's landscapes (Galilean in the main) and characters (mostly Oriental) would convey optimism and mischievous gaiety; his sketch line, designed for a temperamentally rhythmic role, was overlaid with splotches of color, abstract and charmingly translucent."The paintings of Joseph Kossonogi, Mordechai Avniel, and Shimshon Holzman are full of momentum, the color flows within extensive water stains, and they represent the spirit of an era rich in practice that looks to the future with optimism."
Shimshon Holzman
HebrewSambirGaliciaMandate PalestineViennaAustriaTel AvivYitzhak FrenkelHistadrut SchoolMordechai LevanonAvigdor StematskyYehezkel StreichmanMoshe CastelArie ArochFranceAcadémie de la Grande ChaumièreRaoul DufyHenri MatisseFrenkelÉcole de ParisMatisseFauvistGalileanVenice BiennaleTel Aviv Museum of ArtwatercolourUniversity of HaifaJoseph KossonogiMordechai AvnielorientalistBedouinJewishDizengoff PrizeIsrael MuseumYitzhak Frenkel FrenelArieh ArochSchool Of ParisSmithsonian