Joseph Kossonogi

Kossonogi had one-man shows at the Tel Aviv Museum of Art in 1944 and 1954, in which years he was a co-recipient of the Dizengoff Prize in painting.He was preoccupied with the bright sun of Eretz Israel and its effect on the lands, crops, and lives of Jewish settlers and native Arabs.Israeli art critic Gideon Ofrat writes of the artist's oeuvre: "Kossonogi launched his career with romantic watercolours rich in brown and green staining; subsequently, under the influence of Raoul Dufy, they grew lighter and focused on the poetical effects of transparency and fluidity."Kossonogi's focus on light and colour was likely inherited from the European influences that marked his formative period, notably Henri Matisse and André Derain.Along with important Israeli watercolourists Mordechai Avniel and Shimshon Holzman, Kossonogi was considered a master of the aquarelle medium.
Memorial plaque, Tel Aviv
Austro-Hungarian EmpireHistadrut Art StudioIsaac FrenkelHebrewBudapestHungaryBerlin Academy of ArtFranceNetherlandsMandate PalestineTel AvivFrenkelTel Aviv Museum of ArtDizengoff PrizeVincent AuriolHistadrutEretz IsraelJewishart criticRaoul DufyEuropeanHenri MatisseAndré DerainMordechai AvnielShimshon HolzmanaquarelleVisual arts in Israel