Samson, Judge of Israel, married a Philistine woman, Delilah, who discovered that he derived his supernatural strength from never cutting his hair.Since it was a festival day in honour of the Philistine god Dagon Samson was allowed to come out of his prison cell, albeit in chains, and received visitors.He spent the years 1717 to 1719 as composer in residence to the wealthy Duke of Chandos, where he wrote church anthems and two stage works, Acis and Galatea and Esther.He composed vocal music to English words for various royal occasions, including a set of Coronation anthems for George II in 1727, which made a huge impact.[3] In 1731, a performance of the 1718 version of Esther, a work in English based on a Biblical drama by Jean Racine, was given in London without Handel's participation and proved to be popular.However, the Bishop of London would not permit a drama based on a Biblical story to be acted out on the stage; Handel therefore presented Esther in concert form, thus giving birth to the English oratorio.[5] Samson is richly orchestrated by the standards of its day, calling for strings, two oboes, two bassoons, two horns, two flutes, two trumpets, timpani and continuo instruments.