Pedro was greatly influenced by his aunt, who often recited poetry and on occasions put on theatrical plays in the First Spanish Methodist church in El Barrio.The experiences that he faced in the Army and Vietnam, plus the discrimination that he witnessed while growing up in New York, were to become the main factors that would forge his personality and style of poetry.[2] The New York Times obituary of Pedro Pietri noted that the poem "sketched the lives of five Puerto Ricans who came to the United States with dreams that remained unfulfilled."Puerto Rican Obituary" is an epic poem published in 1973 by Monthly Review Press and widely considered Pietri's greatest work.During the performance, he would sing "The Spanglish National Anthem" and hand out simulated "Puerto Rican passports" prepared in collaboration with Adál Maldonado.Pedro Peitri en casa Puerto Rico on discos Coqui LP 1203 It was during this time that Pietri was part of the Cultural Council Foundation CETA Artists Project in New York City, which ran from 1978-80.His was a unique voice, both in substance and style, to which failed attempts by all to imitate his reading of his "Puerto Rican Obituary" out loud readily attest.
Funeral held at historic First Spanish Methodist Church of East Harlem