Paraguayan polka
The Paraguayan polka is very different from the traditional polka, mainly because the Paraguayan version combines ternary and binary rhythms, whereas the European only uses binary.The juxtaposition of the mentioned rhythms gives the peculiar sound that characterizes this style.All of them are slightly different because of the different influences and styles adopted by the composers in the early years of the Paraguayan polka.The oldest polkas in Paraguay are from the early 19th century, such as Campamento Cerro León, Alfonso Loma, Mamá Cumanda, Che Lucero Aguai'y, Ndarekoi La Culpa, London Karape and Carreta Guy.You can help Wikipedia by expanding it.This dance-related article is a stub.
GuaraníWestern MusicBallroom danceParaguayGuitarParaguayan harpTromboneTrumpetDouble bassClarinetCornetAccordionrhythmsjuxtapositionEmigdio Ayala BáezAgustín BarbozaEmilio Bobadilla CáceresMauricio Cardozo OcampoEmiliano R. FernándezManeco GaleanoFlorentín GiménezHerminio GiménezCarlos NogueraAgustín Pío BarriosEladio MartínezLuis Alberto del ParanáMusic of ParaguayChamaméHispanosphereAndeanBambucoCarnavalitoDiabladaHuaynoMorenadaSpaniard folkCatalan rumbaFandangoFlamencoAlboreáBuleríasCantiñasFlamenco jazzRumba flamencaSoleáCanary IslandsMalagueñaPasodobleTajarasteZarzuelaLatin urbanHip hopReggaeReggaetonAlternativeBachatónMoombahtonNeoperreoPanamanianChamarritaGuaraniaPeruvian coastalAfro-Peruvian musicFestejoLandóSon de los DiablosToro MataMarineraTonderoZamacuecaLatin popBalladColombianMexicanNueva canciónNueva trovaRegionalMexicanCorridoCorridos tumbadosConjuntoNorteñoNortecTejanoGruperaDuranguenseMariachiJarabeRancheraTrivalCandombeMúsica cebollaMilongaArgentine tangoNeotangoNuevo tangoUruguayan tangoBandoneonOrquesta típicaArgentineChicanoChileanDominicanEcuadorianLatin rockNueva olaPeruvianPuerto RicanSpanishUruguayanVenezuelanChacareraGaita zulianaJoropoMexican SonhuastecojalisciensejarochoTonadaTropicalBachataBoleroCalypsoCha-cha-chaChampetaChangüíCharanga