Orry-Kelly
[3] Orry-Kelly journeyed to New York City to pursue an acting career and shared an apartment in Greenwich Village with Charles Phelps (also known as Charlie Spangles) and Cary Grant, with whom, he wrote, he had an on-again, off-again relationship until the 1930s.[7] Orry-Kelly worked on many films now considered classics, including 42nd Street, The Maltese Falcon, Casablanca, Arsenic and Old Lace, Harvey, Oklahoma!, Auntie Mame, and Some Like It Hot.He designed for all the great actresses of the day, including Bette Davis, Kay Francis, Ruth Chatterton, Marilyn Monroe, Olivia de Havilland, Katharine Hepburn, Dolores del Río, Ava Gardner, Ann Sheridan, Barbara Stanwyck, and Merle Oberon.[3] In addition to designing, Kelly wrote a column, "Hollywood Fashion Parade", for the International News Service, owned by William Randolph Hearst, during the years of World War II.He had no living relatives when he died; his personal effects and Academy Awards were stored by Ann Warner, wife of his friend and former boss, Jack.