Jean Malouel

[8] This has Philip's coat of arms painted on the back, so should predate his death in 1404, and the "unusual iconography of the piece clearly links it to [Champmol]",[9] which was dedicated to the Holy Trinity, who all appear.The style of the work mixes Northern and Sienese elements, in a fashion characteristic of the International Gothic court art of the period.The ducal accounts record the provision of pigments (but not gold) to Bellechose to complete ("parfaire" = "perfect") a "painting of the life of St Denis", known to have been a subject of Malouel's, and some see a difference in style among the figures, while others do not.[15] It is believed the Berlin picture was one wing of a diptych opposite a portrait of John the Fearless, which would be the first known example of this format, later very common in Netherlandish painting.[17] A number of other works are, or have been, attributed to Malouel or his workshop, including a smaller Pietà tondo in the Louvre,[18] the "Antwerp-Baltimore polyptych",[19] also sometimes associated with Melchior Broederlam, and a damaged Entombment of Christ in Troyes.
Philip the Bold in later life, after Jean Malouel
The Last Communion and Martyrdom of Saint Denis , by Henri Bellechose , perhaps begun by Malouel, completed 1416
PietàLouvreNijmegenPaintingPhilip the BoldHenri Bellechosecourt painterDuke of BurgundyJohn the FearlessInternational GothicOttonianDuchy of GueldersNetherlandsDukes of BurgundyGuelders Warsmanuscript illuminatorsLimbourg brothersIsabelle of BavariaDuchy of BurgundyJean de Beaumetzvalet de chambreClaus SluterChartreuse of ChampmolWell of MosesPhilip's tomb at ChampmolRenaissancecoat of armsHoly TrinitySienesetemperaJan van EyckMelchior Broederlamoil paintSt DenisPhilip the GoodMusée CondéChantillyMadonna and ChildGemäldegalerie, BerlindiptychEntombment of ChristTroyesWayback MachineWalters Art MuseumNash, SusieSnyder, James