On his way to visit his brother in Rome, he may not have got further than Paris, where he served under Antony Francis van der Meulen in the Manufacture des Gobelins employing him for illustrating, sketching or designing.His style had now merged into an imitation of Wouwerman and Van der Meulen, which could not fail to produce pretty pictures of hunts and robber camps, the faculty of painting horses and men in action and varied dress being the chief point of attraction.[4] Later, Huchtenburg ventured on cavalry skirmishes and engagements of regular troops generally, and these were admired by Prince Eugene of Savoy and King William III, who gave the painter sittings, and commissioned him to record on canvas the chief incidents of the battles they fought upon the continent of Europe.[5] Though clever in depicting a mile or a skirmish of dragoons, he remained second to Philip Wouvermans in accuracy of drawing, and inferior to Van der Meulen in the production of landscapes.A Skirmish at Fleurus (1690) in the Brussels gallery seems but the precursor of larger and more powerful works, such as the Siege of Namur (1695) in the Belvedere at Vienna, where William III is seen in the foreground accompanied by Max Emmanuel, the Bavarian elector.