I Am Love (film)
Piero Castellini Baldissera appears in a cameo role multiple times throughout the film[4] The wealthy Recchi family are first and second-generation textile manufacturers in Milan.As the many servants bustle about, the family note with disappointment the news that Edoardo Jr. (Flavio Parenti), Tancredi and Emma's eldest son, lost a competition the day of his grandfather's birthday.Months later, Emma is having lunch at Antonio's restaurant with Rori and Eva, and she is aroused while relishing a prawn dish he prepares for her.While stopping in San Remo en route to Nice to surprise her daughter, Emma spots Antonio, follows him, and eventually speaks to him outside of a book shop.On her second trip to San Remo, under the pretext of discussing a menu for the formal dinner she will host for the foreign investors who are buying the Recchi family business, Emma spends the day with Antonio, and the two enjoy passionate lovemaking.Antonio cuts Emma's blonde hair, a long lock of which falls unnoticed to the terrace, where Edoardo Jr. finds it during his own visit after the London meeting.On the night of the dinner at the Recchi villa for the investors, a conversation between Edoardo Jr. and Eva is overheard, revealing she is pregnant with his child.Before she leaves, she exchanges a knowing glance with her daughter, who it appears understands her mother's desire to follow her heart.Eva, who has hardly been noticed by Edoardo's family since his death, clutches her abdomen as she calls out to Eduardo Jr.'s siblings and grandmother, revealing her pregnancy.Many of the scenes were shot in the Villa Necchi Campiglio, a 1930s mansion in the heart of Milan designed by architect Piero Portaluppi.The website's critical consensus reads: "It stumbles into melodrama, but I Am Love backs up its flamboyance with tremendous visual style and a marvelous central performance from Tilda Swinton."[13] Empire's Damon Wise gave the film four out of five stars and said "Though it drags a little, this stately film never descends into formula, using John Adams' score to great effect and boldly utilising the flourishes of '70s Italian genre cinema (zooms, handheld camera) to create something original, refreshing and really very moving.