Histoire(s) du cinéma

Histoire(s) du cinéma (French: [is.twaʁ dy si.ne.ma]) is an eight-part video project begun by Jean-Luc Godard in the late 1980s and completed in 1998.Marjorie Baumgarten, reviewing for the Austin Chronicle said: "Few filmmakers would be able to mount a discourse on the 20th century's art and thought process as broad and extensive as this".[21] Australian film critic Adrian Martin, in a four-star review, commented: "It is the form of this remembered, necessarily scrappy, haunted, sad history which Godard evokes in all the prodigious techniques of his Histoire(s) du cinéma."[23] Jonathan Rosenbaum in the Chicago Reader agreed, stating: "For better and for worse, it's comparable to James Joyce's Finnegans Wake in both its difficulty and its playfulness".[5] Michael Wood compared the series to an "archaeology of mind, the apparently disordered rescue of a lifetime’s memory of film" in a piece for the London Review of Books.
Two images overlapped in Chapter 1(a): Godard at work at his typewriter, and Ida Lupino
Ingmar BergmanPrisonJean-Luc GodardCanal+Centre National de la CinématographieFrance 3GaumontLa SeptTélévision Suisse RomandeJuliette BinocheJulie DelpyAnne-Marie MiévilleAndré MalrauxEzra PoundPaul CelanJohann Sebastian BachBéla BartókLudwig van BeethovenLeonard CohenJohn ColtraneDavid DarlingBernard HerrmannPaul HindemithArthur HoneggerGiya KancheliGyörgy KurtágFranz LisztGustav MahlerArvo PärtOtis ReddingDino SaluzziFranz SchubertDmitri ShostakovichIgor StravinskyPyotr Ilyich TchaikovskyAnton Weberncinemamagnum opusFrenchword play1988 Cannes Film FestivalUn Certain Regard1997 FestivalSight & SoundHenri BergsonGilles DeleuzeepisodesIda Lupinoquotationsfilm criticAn American in ParisThe Barefoot ContessaBicycle ThievesThe Docks of New YorkThe FuryThe Green RayA King in New YorkMan HuntMarnieNotoriousThe Night of the HunterOnly Angels Have WingsThe Passion of Joan of ArcVivre Sa VieRear WindowScarfaceSnow White and the Seven DwarfsTeoremaZéro de conduiteAustin ChronicleAdrian MartinNew York TimesDave KehrFinnegans WakeJonathan RosenbaumChicago ReaderFilm QuarterlySenses of CinemaMichael WoodLondon Review of BooksThe Story of FilmMark CousinsThe Tulse Luper SuitcasesCinephiliaFrench New WaveDeleuzeMuseum of the Moving ImageSlant MagazineWayback MachineRotten TomatoesFilmographyBreathlessA Woman Is a WomanLe petit soldatThe CarabineersContemptBande à partA Married WomanAlphavillePierrot le FouMasculin FémininMade in U.S.A.Two or Three Things I Know About HerLa ChinoiseWeekendOne Plus One (Sympathy for the Devil)Joy of LearningBritish SoundsTout Va BienNumber TwoEvery Man for HimselfPassionHail MaryDétectiveKing LearKeep Your Right UpNouvelle VagueGermany Year 90 Nine ZeroHélas pour moiLes Enfants jouent à la RussieJLG/JLG – Self-Portrait in DecemberFor Ever MozartIn Praise of LoveNotre musiqueFilm SocialismeGoodbye to LanguageThe Image BookOperation ConcreteUne femme coquetteAll the Boys Are Called PatrickA Story of WaterCharlotte and Her Boyfriend"Sloth" in The Seven Deadly Sins"The New World" in Ro.Go.Pa.G."Le Grand escroc" in Les plus belles escroqueries du monde"Montparnasse-Levallois" in Paris vu par"Anticipation, ou: l'amour en l'an 2000" in The Oldest Profession"Caméra-oeil" in Far from Vietnam"L'Amore" in Amore e rabbiaLetter to JaneHere and ElsewhereHow's it goingA Letter to Freddy BuacheSoft and HardMeetin' WA"Armide" in Aria"Le Dernier mot" in The French as Seen by..."Dans le noir du temps" in Ten Minutes Older: The CelloTribute to Eric Rohmer"Les Trois Désastres" in 3X3D"The Bridge of Sighs" in Bridges of SarajevoLetter in Motion to Gilles Jacob and Thierry FrémauxPaparazziLe Parti des chosesTwo in the WaveOne P.M.RedoubtableGroupe Dziga Vertov