Fallen Angels (play)

[1] His comedy Fallen Angels had already attracted the interest of Gladys Cooper, who wanted to produce the piece and co-star with Madge Titheradge, but the contractual commitments of the two actresses precluded it.[2] It was not until the success of The Vortex that other managements became eager to stage the playwright's existing works, which, as well as Fallen Angels, included Hay Fever and Easy Virtue.[3] Fallen Angels was taken up by Marie Lohr and her husband Anthony Prinsep, who were jointly in management at the Globe Theatre in Shaftesbury Avenue.[n 2] An official in the Lord Chamberlain's office recommended that a licence should be refused on the grounds that the loose morals of the two main female characters "would cause too great a scandal".[23] and the reviewer in The Observer, though rating the piece "neither a great nor a good play" on account of its overt theatricality and lack of depth, declared himself "vastly amuse[d]" by it.If the second act of this piece, which shows two English wives waiting for their mutual lover and getting mildly drunk while he dallies, had been condensed into a ten-minutes sketch for a revue, little more would have been heard about it.If Fallen Angels had been written by Sacha Guitry and brought over here as part of the family luggage, it would have been acclaimed as witty, airy, deliciously Gallic and all the rest of it.If its plain-speaking had been wiped out, its central situation had been softened, and its hard, crisp dialogue had been reduced to the language of leers and winks, it would have been acclaimed as a jolly English farce.
smart youngish man in blazer, kissing the hands of two youngish women either side of him
Edna Best , Austin Trevor and Tallulah Bankhead in the original London production, 1925
Edna BestAustin TrevorTallulah BankheadNoël CowardGlobe TheatreLord ChamberlainThe VortexOn with the DanceGladys CooperMadge TitheradgeHay FeverEasy VirtueMarie LohrShaftesbury AvenueMargaret BannermanWest EndLord CromerArthur WellesleyGerald AmesThe TimesBroadwayFay BainterEstelle WinwoodGerald HamerEileen BeldonLuis AlberniHermione GingoldHermione BaddeleyNancy WalkerJoan GreenwoodConstance CummingsFelicity KendalFrances de la TourApollo TheatreAnn MorrishMoira RedmondMary WimbushIsabel DeanAngliaSusannah YorkJoan CollinsThe Daily ExpressThe Daily MirrorThe Manchester GuardianThe ObserverThe Saturday ReviewIvor BrownSacha GuitryMolièreLe Médecin volantVarietyTheatres ActInternet Broadway DatabaseWayback MachineCastle, CharlesSheridan MorleyLondon Calling!This Year of GraceWords and MusicSet to MusicSigh No MoreOh, Coward!Cowardy CustardBitter SweetConversation PieceOperettePacific 1860Ace of ClubsAfter the BallSail AwayThe Girl Who Came to SupperThe Rat TrapI'll Leave It to YouThe Better HalfThe Young IdeaThe Queen Was in the ParlourSemi-MondeThis Was a ManSiroccoThe MarquiseHome ChatPrivate LivesPost-MortemCavalcadeDesign for LivingPoint ValaineTonight at 8.30Present LaughterThis Happy BreedBlithe SpiritPeace in Our TimeSouth Sea BubbleRelative ValuesQuadrilleNude with ViolinLook After Lulu!Waiting in the WingsSuite in Three KeysIn Which We ServeBrief EncounterThe Astonished HeartPomp and CircumstancePresent IndicativeFuture IndefiniteThe Noël Coward DiariesTonight Is OursWe Were DancingMeet Me TonightPretty PollyRed PeppersHigh Spirits