Fallen Angels (play)
[1] His comedy Fallen Angels had already attracted the interest of Gladys Cooper, who wanted to produce the piece and co-star with Madge Titheradge, but the contractual commitments of the two actresses precluded it.[2] It was not until the success of The Vortex that other managements became eager to stage the playwright's existing works, which, as well as Fallen Angels, included Hay Fever and Easy Virtue.[3] Fallen Angels was taken up by Marie Lohr and her husband Anthony Prinsep, who were jointly in management at the Globe Theatre in Shaftesbury Avenue.[n 2] An official in the Lord Chamberlain's office recommended that a licence should be refused on the grounds that the loose morals of the two main female characters "would cause too great a scandal".[23] and the reviewer in The Observer, though rating the piece "neither a great nor a good play" on account of its overt theatricality and lack of depth, declared himself "vastly amuse[d]" by it.If the second act of this piece, which shows two English wives waiting for their mutual lover and getting mildly drunk while he dallies, had been condensed into a ten-minutes sketch for a revue, little more would have been heard about it.If Fallen Angels had been written by Sacha Guitry and brought over here as part of the family luggage, it would have been acclaimed as witty, airy, deliciously Gallic and all the rest of it.If its plain-speaking had been wiped out, its central situation had been softened, and its hard, crisp dialogue had been reduced to the language of leers and winks, it would have been acclaimed as a jolly English farce.