Cinema of Ethiopia

Moreover, Ethiopian films began modernizing in the 2000s, implementing Amharic, but due to wide home video and DVD distribution, they are often frustrated by copyright infringement in the presence of piracy.Despite recent developments, the Ethiopian film industry continues to lack quality compared to modern world cinema and has a low budget amateurish style.Berhanou Abebbé wrote in the 2003 article Annales d'Ethiopie that a Frenchman introduced the first cinematic artifacts in Ethiopia in 1898, sold to Italian minister Federico Ciccodicola [it].Pankhurst, a distinguished historian published his book Economic History of Ethiopia in 1968, further elaborated that the Armenians were attempted to project by 1909–10, but only attracted by temporary interest and soon abandoned it.Most of renowned figures responsible for recognition of Ethiopian films internationally are Haile Gerima, Salem Mekuria, Yemane Demissie, and Teshome Gabriel.These include imposing license, expanding film schools, taxations, increasing equipments, and helping filmmakers to encourage production in culturally and diversify background.However scholars such as Aboneh Ashagrie and Alessandro Jedlowski argued that the Ethiopian films may qualified to international premiere because of filmmaking preference in amateurish style and differ from foreign norms.
EthiopiaWho is Hirut's father?National Theatrecopyright infringementlow budgetEthiopian National TheatreAddis AbabascreensEmperorMenelik IIRichard PankhurstZewdituHaile Selassiefeature length filmNazrethAsmaraHaile GerimaSalem MekuriaTeshome GabrielAmharicEthiopian governmentDifretPrice of LoveYewendoch GudayTheodros TeshomeYared ZelekeZeresenay Berhane MehariHermon HailayAdanech AdmassuMeheret MandefroMeron GetnetSelam TesfayeFryat YemaneTariku BirhanuHanan TarikAmleset MuchieGirum ErmiasMahder AssefaLiya KebedeRuth NeggaSenait AshenafiZeritu KebedeMeseret MebrateList of Ethiopian filmsSelanchiThe AthleteThe Price of LoveLambadinaBlood Is Not Fresh WaterRunning Against the WindFaya DayiAddis International Film FestivalEthiopian International Film FestivalGumma Film AwardsOromiaSebastopol CinemaAlem CinemaWorld cinemaNational cinemaAfricaAlgeriaMoroccoTunisiaDjiboutiEritreaMadagascarMauritiusSomaliaSouth SudanTanzaniaUgandaZambiaZimbabweBurkina FasoCape VerdeLiberiaNigeriaSenegalAngolaCameroonCentral African RepublicCongo DRSão Tomé and PríncipeBotswanaNamibiaSouth AfricaEasternHong KongMongoliaTaiwanSouthernBangladeshBhutanAssameseBengaliBhojpuriChhattisgarhiDeccaniGujaratiHaryanviKannadaKashmiriKonkaniMalayalamMeiteiMarathiPunjabiRajasthaniSanskritTeluguPakistanLollywoodSri LankaSoutheasternCambodiaIndonesiaMalaysiaPhilippinesSingaporeThailandVietnamCentralAfghanistanKazakhstanKyrgyzstanTajikistanTurkmenistanUzbekistanWesternArmeniaAzerbaijanBahrainCyprusGeorgiaIsraelJewishJordanKuwaitLebanonPalestineSaudi ArabiaTurkeyUnited Arab EmiratesRussiaRussian EmpireSoviet UnionEuropeBelarusBulgariaCzech RepublicHungaryMoldovaPolandRomaniaSlovakiaUkraineDenmarkEstoniaFaroe IslandsFinlandIcelandIrelandLatviaLithuaniaNorwaySwedenUnited KingdomNorthern IrelandScotlandAlbaniaBosnia and HerzegovinaCroatiaGreeceKosovoMontenegroNorth MacedoniaPortugalSerbiaYugoslaviaSloveniaCataloniaGaliciaAustriaBelgiumFranceGermanyGerman TurksLuxembourgNetherlandsSwitzerlandCanadaQuebecCosta RicaDominican RepublicJamaicaMexicoUnited StatesPuerto RicoArgentinaBoliviaBrazilColombiaEcuadorParaguayIquitosSurinameUruguayVenezuelaOceaniaAustraliaNew ZealandArab WorldBalochi cinemaMiddle EastKurdish cinemaLatin America