Christina Fernandez (photographer)

[3] Social consciousness and her Mexican heritage often influence her photography and collages, along with themes of space, migration, immigration, labor, gender, and her own relationship to the city of Los Angeles.Body, a comprehensive group exhibition on the contributions by Chicano artists to contemporary culture with artworks from the 1960s to the present time.Through six photographs of staged scenes and a map, Fernandez reimagines the story of her great-grandmother, a single mother who migrated from Mexico to Southern California.Fernandez conveys a sense of homelessness, of something lost, missing, or unattainable through the images by photographing in-between spaces where the refuse of outdated household items was dumped and people who could not afford even this modest community were forced to live outside.The paint etched into the glass, and was drippy at the same time, so it had the appearance of visual violence in a way, but it’s also very beautiful.” She adds: “I became interested in the aesthetic because I was living in Boyle Heights in the mid-1990s, and the prices of family homes have just skyrocketed.
Maria's Great Expedition (1996-1997) at the Smithsonian American Art Museum in 2023
Lavanderia #1 (2002) at the National Gallery of Art in 2023
University of California, Los AngelesCalifornia Institute of the ArtsAmericanCerritos CollegeLos AngelesMexicancollagesCalifornia Community FoundationSmithsonian American Art MuseumPérez Art Museum MiamiNational Gallery of Art