Alfredo Ramos Martínez
As the renowned Nicaraguan poet Rubén Darío wrote, "Ramos Martínez is one of those who paints poems; he does not copy, he interprets; he understands how to express the sorrow of the fisherman and the melancholy of the village.Though he found the teaching methods at the Academy repressive and counter-intuitive to his more emotional plein air impulses, Ramos Martínez created a significant body of work that he was able to sell while still a student.[4] Gratifying as his youthful accomplishments were, the news from France, and the examples of the brilliance of the Impressionist and Post-Impressionist artists, persuaded the young painter that he needed to be in Europe to continue his education and define his career.[6] Furthermore, Hearst's monthly stipend of 500 francs, combined with Ramos Martínez's fluent French, afforded him a comfortable lifestyle and the ability to travel throughout Europe.[6] However, after this great acknowledgment, Hearst decided she would no longer give him his monthly stipend and Ramos Martínez began the struggle of earning his living as an artist.One of the leading art critics of the day, Camille Mauclair wrote that the work of Ramos Martínez was in the same class as the finest Impressionist landscapes exhibited in Paris.[7] The Mexican Revolution was beginning in earnest and the 30-year rule of President Porfirio Díaz was on the verge of collapse due to the pressure of the political reforms of Francisco I. Madero.[4] The first school was established in the Santa Anita Iztapalapa borough of Mexico City with an initial class of 10 students, including David Alfaro Siqueiros and Federico Cantú, who would later become successful artists in their own right.[10] The family first traveled to the Mayo Clinic in Rochester, Minnesota, and eventually settled in the milder climate of Los Angeles, with Maria under the care of Dr. John A. Wilson.Noted film directors Ernst Lubitsch and Alfred Hitchcock, costume designer Edith Head, screenwriter Jo Swerling, and actors Charles Laughton, Gary Cooper, James Stewart, and Beulah Bondi, among others, were collectors.Another fresco, one of Ramos Martínez' most significant works, the La Guelaguetza, which was named after the ancient Oaxacan celebration of the Earth's abundance, was commissioned in 1933 by screenwriter Jo Swerling for his Beverly Hills home.Louis Stern Fine Arts began a public association with Mexican modernist Alfredo Ramos Martinez in 1991 with a retrospective exhibition of works by the artist, who lived in Los Angeles from 1929 until his death, in 1946.The Research Project published a monograph, Alfredo Ramos Martinez & Modernismo, by Margarita Nieto and Louis Stern in 2009, and is currently compiling a catalogue raisonné of the artist's paintings and frescos.