Wilhelm Trübner

[2] In 1872 Trübner met Hans Thoma, another German painter who greatly admired the unsentimental realism of Wilhelm Leibl.He travelled to Italy, Holland and Belgium, and in Paris encountered the art of Manet, whose influence can be seen in the spontaneous yet restrained style of Trübner's portraits and landscapes.[3] His works of this period, such as On the Sofa (1872) and Carpenters on the Banks of Wessling Lake (1876), depict prosaic scenes with a somber realism and subdued color.Subsequently, Trübner attempted to achieve greater success by brightening his palette, and he frequently painted historical and literary subjects.[7] Trübner's paintings are in many public collections, especially in Germany, including the Alte Nationalgalerie, Berlin, the Österreichische Galerie Belvedere, Vienna, and the Neue Pinakothek in Munich.
Scuffling Boys (1872)
Carpenters on the Banks of Wessling Lake (1876)
HeidelbergGrand Duchy of BadenKarlsruheGerman EmpireRealismAlice TrübnerrealistpainterWilhelm LeiblclassicistAnselm FeuerbachHans CanonMunichGustave Courbetalla primaacademicCarl SchuchHohenschwangauBernriedHans Thomaart for art's sakeBerlin Secessionavant-gardeAlte NationalgalerieBerlinÖsterreichische Galerie BelvedereViennaNeue PinakothekPope Alexander VIgouacheInternet Archive