Vijayanagara architecture

[3] Large multi-purpose halls (mandapas) surrounding the main shrine with elaborate and intricately carved pillars and the tall entrance towers (Gopurams, more specifically Rayagopurams named after the ruling Rayas) are two notable Vijayanagara additions to South Indian temple architectural tradition.For the approximately 400 years during the rule of the Western Chalukya and the Hoysalas empires, the most popular material for temple construction was chloritic schist or soapstone.During the Vijayanagar period the local hard granite was preferred in the Badami Chalukya style, although soapstone was used for a few reliefs and sculptures.Because granite is prone to flaking, few pieces of individual sculptures reached the high levels of quality seen in previous centuries.To cover the unevenness of the stone used in sculptures, artists employed plaster to give the rough surface a smooth finish and then painted it with lively colours.This Tamil dravida-influenced style became popular during the rule of king Krishnadevaraya and is seen in South Indian temples constructed over the next 200 years.[9] The Mandapas are built on square or polygonal plinths with carved friezes that are four to five feet high and have ornate stepped entrances on all four sides with miniature elephants or with Yali balustrades (parapets).Pillars, beams and rafters inside the palace were made of wood as evidenced by ash discovered in excavations.Palaces commonly consisted of multiple levels with each flight of stairs decorated by balustrades on either side, with either yali (imaginary beast) or elephant sculptures.[2] The impact of this style of architecture was seen well into the 17th century when the successive Nayaka kingdoms continued to encourage pillars with hippogryphs and granite became the main building material.
Virupaksha temple, Raja Gopura (main tower over entrance gate) at Hampi , Karnataka
Typical dravidian style Shikhara (superstructure) over shrines at the Raghunatha temple in Hampi
Typical dravidian shrine and mantapa of the Vijayanagara period at Balakrishna temple in Hampi
Early 14th century Shiva temples on Hemakuta hill built during the rule of Harihara Raya I incorporates the stepped Kadamba style nagara shikhara (superstructure)
The mid-14th century Vidyashankara temple at Sringeri, one of the earliest temples built by the kings of the empire
Typical shrine at Hazare Rama temple in Hampi
A typical Vijayanagara style pillared maha mantapa (main hall) at Someshvara temple at Kolar
Pillared open mantapa incorporating Hoysala style "staggered square" layout at Vittala temple in Hampi
Typical large open pillared hall at Ananthasayana temple in Ananthasayanagudi, Bellary district, Karnataka
Kudure gombe (horse doll) pillars in a mantapa at Hampi
An open mantapa with yali columns at the Vittala temple in Hampi
ShikharaVijayanagara EmpireSouth IndiaVijayanagaraTungabhadra RiverKarnatakaVijayanagara districtUNESCOWorld Heritage SiteWestern ChalukyaGovernment of KarnatakaChalukyaHoysalaRashtrakutaPandyaHoysalasschistsoapstonegraniteBadamireliefssculpturesdensityplastergarbhagrihamandapagopuramgopuraKrishnadevarayaChennakesava TempleSrisailamSrirangamPradakshinapathatemple tankgods and goddessesfriezeselephantsbasadiVaishnavaRamanujacharyaList of Vijayanagara era temples in KarnatakaAndhra PradeshAhobilamLepakshiVenkateswara TempleTirupatiTamil NaduMelkoteShimoga DistrictSaavira Kambada BasadiMantapaSrikalahastiVijayanagar EmpireHoysala architectureIndian architectureWayback MachinePercy BrownDravidianArchitecture of KarnatakaKadamba architectureDravidian architectureWestern Ganga DynastyBadami Chalukya architectureVesaraRashtrakutasWestern Chalukya architectureHoysala EmpireIndo-IslamicBahmaniBijapurKeladi NayakaKingdom of MysoreMuslimRajputGothicIndo-SarcenicTippu SultanBangaloreNeo-Gothicchurch architectureBuddhistViharasTibetan CultureTibetan architectureBylakuppeArchitecture of IndiaAncient IndianBengalHarappanHindu-northernNagaraKalingaMāru-GurjaraBhumijaLatinaSekhariHemadpantiMeiteiNilachalRock-cutHindu-southernBadami ChalukyaKadambaThantra-Samuchayam/ShilparatnamMughalAkbariSharqiQutb ShahiIndo-SaracenicGujaratKerala MaharashtraOdishaRajasthan Tamil NaduUttarakhandUttar PradeshTelanganaBhubaneswarChennaiHyderabadJaipurLucknowMumbaiHistory of architectureArchitectural timelineHistory of constructionNeolithicMesopotamianAncient EgyptianEtruscanClassicalAncient GreekAncient RomanHerodianAchaemenid1st millenniumSasanianByzantineKievan Rus'MuscoviteIslamicUmayyadMoorishAbbasidFatimidMedieval ScandinavianPre-RomanesqueCarolingianRomanesqueGalicianOttonianNormanGreat SeljukAnatolian Seljuk architectureMamlukTimuridOttomanRomano-GothicSondergotikRenaissancePlateresqueManuelinePalladianSpanish ColonialPortuguese ColonialBaroqueAndeanEnglishFrenchItalianMaltesePetrineElizabethanNaryshkinPortugueseSiberianUkrainianIndustrialBritishRevivalismRusso-ByzantineSerbo-ByzantineColonialEgyptianMediterraneanMissionMonumentalismRococoNeoclassicalNeo-ManuelinePuebloBritainAmerica and AustraliaRomanianRussianTerritorialArt NouveauJugendstilLiberty styleModern StyleModernismeRationalismMycenaeanModernPrairie SchoolExpressionismCubismDe StijlBauhausConstructivismNew ObjectivityStreamline ModerneTotalitarianismRationalist-FascistStalinistInternational styleFunctionalismFuturismOrganicismArt DecoStripped ClassicismPostconstructivismPWA ModerneGoogieBrutalismStructuralismPostmodernBlobitectureHigh-techArcologyCritical regionalismNeo-futurismDeconstructivismNeomodernNew ClassicalContemporaryChineseIndianJapaneseKoreanMesoamericanNewariSpanishSomali