Urban contemporary gospel
Due to strong racial divisions in 20th century American culture, urban/contemporary gospel developed specifically out of the African-American musical traditions.[1] During the 1960s and 1970s and 1980s, hit songs like The Clark Sisters' "You Brought the Sunshine" Edwin Hawkins' "Oh Happy Day" and Andrae Crouch's "Take Me Back" were significant milestones in the development of urban/contemporary gospel music.[4] New artists like Yolanda Adams, the Clark Sisters, Donnie McClurkin, and Kirk Franklin's New Nation gained popularity in the secular world with their musical style.Kirk Franklin is widely known for this, working with Kanye West on his gospel album, Jesus Is King, and with Lil Baby on the song "We Win" for the movie Space Jam: A New Legacy.[7] Artists in this genre are expected to convey a committed Christian religious viewpoint and to treat their musical performances as a sacred service to God.[3] In comparison with traditional hymns, which are generally of a statelier measure, gospel songs are expected to have a refrain and a pronounced beat with a syncopated rhythm.The radio stations that program UC Gospel, primarily in the Southern and Southeastern US serve a fiercely loyal core of listeners from all age groups and income demographics in the African-American communities.