Ugolino and His Sons (Carpeaux)

[1] The sculpture was cast in bronze in 1863 by the French Ministry of Fine Arts and displayed in the Parisian Tuileries to accompany a replica of Laocoön.Ugolino and His Sons departed from the French Academy's tradition with "boldness and vigor" and the "spirit and masterly technique worthy of Michelangelo".[1] The sculpture, and Carpeaux, were considered descendants of the 1830s French Romantic sculptor tradition associated with François Rude and Auguste Préault.Ugolino and His Sons launched Carpeaux's career and led to his commission for the façade of the Palais Garnier opera house: La Danse,[1][5] a work that made him famous.[3] Surrealist artist Max Ernst used a woodcut of Ugolino, presumably from the International Exposition's catalog, in his 1929 graphic novel La femme 100 têtes.
Laocoön and His Sons (1st century BCE) compositionally influenced Carpeaux's Ugolino and His Sons
Jean-Baptiste CarpeauxUgolinoInfernoUgolino della GherardescaRomanticLaocoön and His SonsPrix de RomeFrench Academy in RomeVilla MediciMichelangeloSistine ChapelTuileriesSaint-Béat1867 International ExpositionMetropolitan Museum of ArtNew York CityFrançois RudeAuguste PréaultfaçadePalais GarnierLa DanseMax ErnstOxford University PressThe Met Fifth AvenueAnna Wintour Costume CenterAstor CourtRobert Goldwater LibraryTemple of DendurThomas J. Watson LibraryThe CloistersMet BreuerDirectorsLuigi Palma di CesnolaCaspar Purdon ClarkeEdward RobinsonHerbert Eustis WinlockFrancis Henry TaylorJames RorimerThomas HovingPhilippe de MontebelloThomas P. 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