The Cambridge History of Chinese Literature
[4] Robert E. Hegel of Washington University in St. Louis described almost all the authors as "senior scholars recognized as preeminent leaders in their respective fields."[5] Hegel characterised the number of involved people as being relatively few and contrasted their prominence with that of The Columbia History of Chinese Literature, which had multiple writers of varying backgrounds.[4] According to Vitello, the volumes give prominence to ethnic and gender-related issues, and that the study of the circulation of literature and media is "another especially conspicuous feature".[11] A topically ordered bibliography, a glossary with titles of works and names of people, and an index characterised by Hegel as "lengthy" are in each volume.[16] "North and South: The Twelfth and Thirteenth Centuries," the sixth, is divided into two sections, with one each written by Michael Fuller and Shen-fu Lin.[19] Wilt L. Idema wrote "Prosimetric and Verse Narrative," the fifth chapter, which chronicles the styles of literature in the later dynasties.He also stated that the forced reliance on glossaries due to the absence of hanzi "poorly serves the neophyte readers."[22] William Nienhauser felt that "despite the price and the problems readers will encounter in consulting the work as a reference, these two volumes will remain the standard accounts of Chinese literature for decades to come, and deservedly so."He argued, however, that the indexes were "flawed" and "riddled with problems", and the lack of Chinese characters reduces the values of the volumes, which he felt were overpriced and unaffordable for students.