Smells Like Children
All the ideas and tracks for the EP were created and composed throughout the touring cycle in support of the band's 1994 debut Portrait of an American Family, and was the first Marilyn Manson work to feature longtime members Twiggy Ramirez on bass and Ginger Fish on drums.Smells Like Children was certified platinum by the Recording Industry Association of America,[1] and was spearheaded by its sole single, a cover of "Sweet Dreams (Are Made of This)", originally written and performed by Eurythmics.During their tenure, Danzig/Pantera tour bus driver Tony F. Wiggins befriended Marilyn Manson, bassist Twiggy Ramirez and keyboardist Madonna Wayne Gacy and went on backstage drug binges, perverse acts and other unusual escapades with them.I've always liked the Peter Pan idea of being a kid in mind if not in body, and Smells Like Children was supposed to be a record for someone who's no longer a child, someone who, like myself, wants their innocence back now that they're corrupted enough to appreciate it.The other covers on the album are the Patti Smith song "Rock N Roll Nigger" and Screamin' Jay Hawkins' "I Put a Spell on You", with the latter later featured on the soundtrack for David Lynch's 1997 psychological thriller film Lost Highway.Manson stated the irony of having Wiggins "strum and twang a redneck version" of the song was "perfect for its message, since [it] critiques southern Christian white trash".[3] The untitled sixteenth track contains a slower, more ominous remix of "Shitty Chicken Gang Bang" and, approximately 6 minutes in, an unusual audio experiment sometimes referred to as "Poop Games".The tracks "Sympathy for the Parents" and "Dancing with the One-Legged..." are distorted sound clips taken from an appearance by Manson, Ramirez and Gacy on The Phil Donahue Show.Musically, it may not amount to much—it's goth-metal-industrial, as good as the 'Dope Hat,' 'Lunchbox,' and 'Cake and Sodomy' trilogy that distinguished the debut—but as a sonic sculpture, as an objet d'art, it's effective and wickedly fascinating."[11] Tony Scherman of Entertainment Weekly also gave the release a negative review and called it "an artlessly assembled excuse for an album, these minor-league White Zombie wannabes throw together pointless remixes, irritating skits, and lame covers of songs by Eurythmics, Screamin' Jay Hawkins, and Patti Smith.Ladouceur wrote that "[this] collection...was poorly received on release but proves a much more interesting document of the [band's] early years than 1994's debut album, Portrait of an American Family.[13] Empower America also took the opportunity to announce, at the press conference, they were launching a $25,000 radio ad campaign to collect petitions from listeners who want the record companies to "stop spreading this vicious, vulgar music.