He studied in Russia at Moscow's Gerasimov Institute of Cinematography under the tutelage of Ukrainian filmmakers Igor Savchenko and Oleksandr Dovzhenko, and began his career as professional film director in 1954.[5] Parajanov was a closeted bisexual, which exposed him to increased legal scrutiny from Soviet authorities over his personal life, his films, and political involvement surrounding Ukrainian nationalism.Because it was impossible for his father to get his trading business legalised, a young Parajanov was often forced to swallow small jewelry pieces and defecate them once authorities withdrew from their search.[10] Parajanov left the conservatory to enrol at the directing department at the S. A. Gerasimov All-Russian University of Cinematography; he studied under the tutelage of directors Igor Savchenko and Alexander Dovzhenko.[13] In video interviews, friends and relatives contest the truthfulness of anything Parajanov was charged with; they believe his sentencing was procured through a kangaroo court due to his tendency for political retaliation and rebellious views.[17] Unlike Shadows of Forgotten Ancestors, Sayat Nova was not well received by Soviet authorities, who were quick to intervene and ban the film for its allegedly inflammatory content and lack of socialist realism.Among them were Robert De Niro, Francis Ford Coppola, Martin Scorsese, Leonid Gaidai, Eldar Ryazanov, Yves Saint Laurent, Marcello Mastroianni, Françoise Sagan, Jean-Luc Godard, François Truffaut, Luis Buñuel, Federico Fellini, Michelangelo Antonioni, Mikhail Vartanov, and Andrei Tarkovsky.[23] His efforts in the camp were repeatedly compromised by prison guards, who deprived him of materials and called him mad, their cruelty only subsiding after a statement from Moscow admitting that "the director is very talented.He crafted extraordinarily intricate collages, created a large collection of abstract drawings and pursued numerous other avenues of non-cinematic art, sewing more dolls and some whimsical suits.In February 1982 Parajanov was once again arrested on charges of bribery, which happened to coincide with his return to Moscow for the premiere of a play commemorating Vladimir Vysotsky at the Taganka Theatre, he was released in less than a year, with his health seriously weakened.Federico Fellini, Tonino Guerra, Francesco Rosi, Alberto Moravia, Giulietta Masina, Marcello Mastroianni and Bernardo Bertolucci were among those who publicly mourned his death.[26] However, directors such as Theo Angelopoulos, Béla Tarr and Mohsen Makhmalbaf share Parajanov's approach to film as a primarily visual medium rather than as a narrative tool.[30] Among his projects, there were also plans for adapting Longfellow's The Song of Hiawatha, Shakespeare's Hamlet, Goethe's Faust, the Old East Slavic poem The Tale of Igor's Campaign, but the film scripts for these were never completed.