[3][5] The deep significance of the work for Finnish culture has even been quoted internationally, and in a BBC article by Lizzie Enfield, for example, which describes Kivi's Seitsemän veljestä as "the book that shaped a Nordic identity."[10][11] Another critic worth mentioning was the Fennoman politician Agathon Meurman, who, among other things, said the book was "a hellish lie about Finnish peasants" and stated that "Mr. Kivi regards the printing press as his poetic rectum.According to Eskelinen, the work is more tense and aesthetically complex than the realistic novels of the significant generation of writers who followed Kivi.[13][14] At first, the brothers are not a particularly peaceful lot and end up quarreling with the local constable, juryman, vicar, churchwarden, and teachers—not to mention their neighbours in the village of Toukola.[16] Many significant Finnish artists have been responsible for illustrating the book, including Akseli Gallén-Kallela (1908), Marcus Collin (1948), Matti Visanti (1950), and Erkki Tanttu (1961).[23] In 1989, a television series called Seitsemän veljestä [fi] directed by Jouko Turkka caused wide controversy because of its portrayal of the brothers.
The heads of seven brothers in the coat of arms of
Nurmijärvi
Knight and the Snake King, Illustration for Seitsemän veljestä
by
Akseli Gallen-Kallela
, 1907
The Seven Brothers on top of a Boulder
by
Antti Favén
[
fi
]
in 1910