Screenplay

A screenplay, or script, is a written work produced for a film, television show, or video game (as opposed to a stage play) by screenwriters."[1] With the advent of sound film, dialogue quickly dominated scripts, with what had been specific instructions for the filmmaker initially regressed to a list of master shots.[1] Andrew Kenneth Gay argues that this shift has raised the status of directors as auteurs and lowered the profile of screenwriters.[1] The format is structured so that (as a ballpark estimate) one page equates to roughly one minute of screen time, though this often bears little resemblance to the runtime of the final production.The action is written in the present tense and is limited to what can be heard or seen by the audience, for example descriptions of settings, character movements, or sound effects.Occasionally they are reduced to half-size to make a small book which is convenient to read or put in a pocket; this is generally for use by the director or production crew during shooting.[6] Authors can register works with the Writers Guild of America West (WGAW) Registry,[7] and even television formats using the FRAPA's system.Motion picture screenplays intended for submission to mainstream studios, whether in the US or elsewhere in the world, are expected to conform to a standard typographical style known widely as the studio format which stipulates how elements of the screenplay such as scene headings, action, transitions, dialogue, character names, shots and parenthetical matter should be presented on the page, as well as font size and line spacing.The Nicholl Fellowship, a screenwriting competition run under the auspices of the Academy of Motion Picture Arts and Sciences, has a guide to screenplay format.The content is usually invented solely by the screenwriter, though spec screenplays can also be based on established works or real people and events.[12] For American TV shows, the format rules for hour-long dramas and single-camera sitcoms are essentially the same as for motion pictures.Creating reality show formats involves storytelling structure similar to screenwriting, but much more condensed and boiled down to specific plot points or actions related to the overall concept and story.
Page from a screenplay, showing dialogue and action descriptions, as well as scene cuts
Screenplay for the 1974 film The Godfather Part II , written by Francis Ford Coppola and Mario Puzo , held at the National Museum of Cinema in Italy
Screenplay (disambiguation)FilmmakingStep outlineFilm treatmentScriptmentFilm financeFilm budgetingGreen-lightPre-productionBreaking down the scriptScript breakdownStoryboardProduction boardProduction stripDay Out of DaysProduction scheduleOne liner scheduleShooting scheduleCinematographyPrincipal photographyVideographyShooting scriptFilm inventory reportDaily call sheetProduction reportDaily production reportDaily progress reportDaily editor logSound reportPost-productionFilm editingRe-recordingSync soundSoundtrackSpecial effectsvisualNegative costDistributionFilm releaselimiteddelayedRoadshowFilm historyFilmographyGuerrilla filmmakingGlossaryFilm crewScreenwritingSpec scripttelevision showvideo gamestage playscreenwritersteleplayoriginal worksadaptationsnarrationcinematographicsilent erascenariosA Trip to the MoonThe Great Train RobberycontinuityD. W. GriffithThe Birth of a NationThomas H. Incemovie productionassembly linesound filmCasablancaend of the studio systemmaster-scene scriptstudio eraChinatownauteursballpark estimate12 point10 pitchCouriertypefacemarginshole punchesdialoguepresent tenseletter sizebrass bradsWriters Guild of America Westtelevision formatsblueprintsThe Godfather Part IIFrancis Ford CoppolaMario PuzoNational Museum of CinematypographicalHollywoodNicholl FellowshipAcademy of Motion Picture Arts and Sciencesspeculative screenplaysingle-cameraMulti-cameraScreenwriting softwareFade InFinal DraftFiveSprocketsMontageMovie Magic ScreenwriterMovie OutlineScrivenerweb applicationsmobile devicesWriterDuetSmartKeyWordStarWordPerfectMicrosoft WordScript coverageCloset screenplayDreams on SpecOutline of filmList of screenwriting awards for filmAugust, JohnThe New York TimesWriters’ Guild of Great BritainWorld Intellectual Property OrganizationYves LavandierWriting DramaProducerprocessfilm adaptationOptionGreenlightWorking titleCastingScenographyRehearsalone-linerProductionCinematic techniquesVideographerDailies (rushes)Film inventoryDaily productionProgressEditor logCostume designerMake-up artistTimecodeDigital intermediateFilm distributorDigital distributionStreaming mediaBox officeDevelopment hellFilm industryFilm rightsTurnaroundFirst-dollar grossNarrativeCharacterAntagonistArchenemyCharacter arcCharacter flawCharacterizationConfidantDeuteragonistFalse protagonistFocal characterGothic doubleHamartiaByronicTragicNarratorProtagonistStock characterStraight manSupporting characterTitle characterTritagonistVillainAb ovoActionBackstoryOrigin storyChekhov's gunClichéCliffhangerConflictDeus ex machinaDramatic structureEucatastropheForeshadowingFlashbackFlashforwardFrame storyIn medias resKishōtenketsuMacGuffinPlot devicePlot twistPoetic justiceRed herringRevealSelf-insertionShaggy dog storyStereotypeStory arcStory within a storySubplotSuspenseSettingAlternate historyCrossoverDreamworldDystopiaFictional locationcountryuniverseparallelUtopiaWorldbuildingLeitmotifMetaphorMoral developmentDeal with the DevilConflict between good and evilSelf-fulfilling prophecyTime travelAllegoryBathosComic reliefDictionFigure of speechImageryNarrative techniquesShow, don't tellStylistic deviceSuspension of disbeliefSymbolismStructureAct structureThree-act structureFreytag's PyramidExpositionProtasisRising action/EpitasisClimaxPeripeteiaFalling action/CatastasisDenouement/CatastropheLinear narrativeNonlinear narrativetelevision seriesPremiseTypes of fiction with multiple endingsFabliauFlash fictionFolkloreFairy taleLegendTall taleGamebookNarrative artNarrative poetryEpic poetryNovellaParableShort storyVignetteFictionAction fictionAdventureEpistolaryErgodicEroticHistoricalWesternMysteryNauticalParanoidPhilosophicalPicaresquePoliticalPop culturePsychologicalReligiousRomanceChivalricSatireSpeculative fictionFantasyGothicSouthernHorrorMagic realismScienceUtopian and dystopianUnderwaterSuperheroTheologicalThrillerNonfictionAutobiographyBiographyCreativeDiegesisFirst-personSecond-personThird-personThird-person omniscient narrativeUnreliable narratorMultiple narratorsStream of consciousnessStream of unconsciousnessPresentFutureDominant narrativeFiction writingRebootRetconParallel novelPrequelSequelLiterary scienceLiterary theoryNarrative identityNarrative paradigmNarrative therapyNarratologyMetafictionPolitical narrativeRhetoricStorytellingTellabilityVerisimilitude