The significance of Pylades' lines has invited speculation into whether or not he might represent something more than human next to Orestes; he might play the role of divine encouragement or fate.In the Sophocles version, Orestes pretends to be dead and Pylades carries the urn supposedly holding his friend's remains.Apollo arrives to settle the situation and gives them all instructions, including one for Pylades to marry Orestes' sister Electra.The dialogue Erotes ("Affairs of the Heart"), attributed to Lucian, compares the merits and advantages of heterosexuality and homoeroticism, and Orestes and Pylades are presented as the principal representatives of a loving friendship: In 1734, George Frederic Handel's opera Oreste (based on Giangualberto Barlocci's Roman libretto of 1723), was premiered in London's Covent Garden.The fame of Lucian's works in the 18th century, as well as the generally well-known tradition of Greco-Roman heroic homoeroticism, made it natural for theatre audiences of that period to have recognized an intense, romantic, if not positively homoerotic quality, to the relationship between Orestes and Pylades.