His style is "distinguished by stunningly flexible limbs and spines, deeply grounded movement, explosive bursts and a vitality that grabs a viewer by the collar.[13] Naharin explains that such a practice is meant to provide a framework or a "safety net" for the dancers to use to "move beyond familiar limits".He finds storytelling of suffering and the world's problems boring in comparison to a person's ability to use texture and multi-layered movement."[17] A critic comments, "In this tremendously potent work, there are few obvious displays of emotion, yet Max is full of imagery that slips between real life and dance in fleeting flashes."[17] Anafaza, a work for 22 dancers and two musicians that premiered in December 1993, combined elements of theater, opera, film and rock music as well as dance.Shorter and less complex than Ohad Naharin's other pieces, Echad mi Yodea finds power in its simple staging and wild, almost uncontrolled, movement.As he lays there, the rest of the dancers stand up from their chairs and powerfully deliver the lines of the chorus: “Echad mi yodea?As the lights and music fade, the "other" simply returns to his seat still fully clothed, while the other dancers stand proudly and exhausted in their undergarments.Naharin's Echad mi Yodea has a variety of interpretations – the shedding of one's skin, the inescapable bond with one's past, finding beauty in chaos, the singular within a group and the dichotomy between exhaustion and strength.[20] It was an attempt at censorship, but Naharin refused, instead pulling Batsheva from the performance and allowing for the liberation in Echad mi Yodea to continue.Like the "gatkes incident" demonstrates, even when faced with criticism, Naharin continues to push the boundaries of traditional dance.[21]Other pieces he has choreographed include Three, Tabula Rasa, Mabul, Pas de Pepsi, Haru No Umi, In Common, Sixty a Minute, Black Milk, Innostress, Mamootot, moshe, yag, sabotage baby, perpetuum, Passo Mezzo, Kamuiot, plastelina, Naharin's Virus, Hora, Sadeh21, The Hole.