Norwich Castle

[4] Early in 1067, William embarked on a campaign to subjugate East Anglia, and according to military historian R. Allen Brown it was probably around this time that the castle was founded.[11] The historian Robert Liddiard remarks that "to glance at the urban landscape of Norwich, Durham or Lincoln is to be forcibly reminded of the impact of the Norman invasion".[17] During the Revolt of 1173–1174, in which Henry II's sons rebelled and started a civil war, Norwich Castle was put in a state of readiness.[19] The castle provided sanctuary to Jews fleeing the violence that erupted against them across East Anglia in Lent 1190, and which reached Norwich on 6 February (Shrove Tuesday).the East front, in which was the grand entrance, is grossly mutilated and entirely hidden by an additional building, that appears to have no kind of connection with it, and [.The felon, the prisoner untried, the debtor, and the gaoler, the guilty, and the innocent, share in the calamity.In the 18th century, the castle mound was being used by the city's inhabitants as a soil quarry and rubbish dump.Norwich Justices of the Peace petitioned the House of Commons for the fee simple of the castle, shirehall and surrounding grounds to be vested in them.[32][33] A new Shirehall was designed by Wilkins in Tudor style and built at the north east foot of the castle hill in Market Avenue.this memorial was placed here by the citizens of Norwich in reparation and honour to a notable and courageous leader in the long struggle of the common people of England to escape from a servile life into the freedom of just conditions.A special commission of oyer and terminer found both guilty and they were brought back to Norfolk for execution; Robert in Norwich and William in Wymondham.[38] On 7 December 1549 at the behest of Edward VI Robert was 'drawn' from the Guildhall to the Castle and taken up to the battlements on the west face to be hanged in chains from a gibbet.[39] A figurative roundel by sculptor James Woodford that decorates the central bronze entrance door to Norwich City Hall depicts the hanging.The convicted felon was marched to the scaffold at noon on 21 April 1849 and despatched by hangman William Calcraft in front of thousands of spectators.Wilkins's central gaoler's house and walled prisoner exercise yards made way for gardens and the cell blocks were converted to viewing galleries.[48] Although Daniell was living in London during this period, letters to his friends the artist Henry Ninham and the botanist Dawson Turner reveal the extent of his opposition."[49] To Ninham he wrote, "Show me by a plan, how high they have got pulling down, and enable me to judge whether even now in the eleventh hour, any good can be done; and I in return will just inform you, how I stand with regard to my plate.[57] In 2018, the painting formed the centre piece of an exhibition curated by Francesca Vanke, The Paston Treasure: Riches & Rarities of the Known World.[59] The discovery of this Lower Palaeolithic hand axe in 2000 along the Norfolk coast at Happisburgh transformed our understanding of early human occupation in Britain.Analysis of pollen in the silt allowed the archaeologists to build a picture of temperate woodland with the existence of pine, alder, oak, elm and hornbeam trees in evidence at the time the handaxe was made.[62] The helmet is made from a single sheet of gilded bronze, highly decorated as to represent a feathered eagle's head on the crest, foliate-tailed beasts on either side and a plain triangular front panel with feather borders on either side at the top, with the lower ends terminating in birds' heads.[64] The figure is shown sat on a chair decorated with incised panelling and is leaning forwards with head in hands wearing a round flat hat.It may be a representation of a deity whose identity is now lost, but it is still a great artifact that reminds us how little we know about religion in this early migration period across northern Europe.It was found in 1948 at Snettisham, alongside a large number of other torcs, carefully disposed in the ground, confirming that burial rituals had great significance within the people of Late Iron Age Norfolk.[70] Both Christopher and his wife Catherina are represented kneeling to Mary, mother of Jesus in the foreground of the composition, showing their religious devotion and wealth.The Norwich Society of Artists was founded in 1803 by Crome and Robert Ladbrooke and brought together professional painters and drawing masters such as John Sell Cotman, James Stark, George Vincent as well as other talented amateur artists,[73] who were often inspired by the East Anglian landscape, and were influenced by Dutch landscape painters.[76] It shows clear Flemish influences, and it is possible that it has been made by one of the Norwich Strangers, immigrants of the sixteenth century from the Low Countries.
Plan of Norwich Castle keep by William Wilkins prior to alterations completed in 1793 by John Soane.
South-west view of the castle: watercolour and pen-and-ink drawing by Francis Grose , 20 October 1775
Architectural drawing by John Soane of his extension to Norwich Castle prison (completed 1793).
A mid-19th-century engraving of Norwich Castle from Charles Knight's Old England: A Pictorial Museum (1845).
Boardman's plan for Norwich Castle Museum
Edward Thomas Daniell , Norwich Castle – before the restoration of 1834 (Norfolk Museums Collections)
The Castle Keep undergoing restoration works in 2021
Norwich Castle and sheep market at the end of the 19th century
The Paston Treasure c.1663 oil on canvas 165 × 246.5 cm
The Happisburgh Handaxe. Flint. 12.2 × 7.8 cm. Norwich Castle Museum
Spong Man. AD 500–600. Height 14.0 cm. Norwich Castle Museum.
Tubular gold torc. Part of the Snettisham Hoard on display at the museum. [ 66 ]
Motte-and-bailey castleNorwichNormanNorfolkWilliam the ConquerorNorman Conquestscheduled monumentlisted buildingtwelveNorfolk Museums Servicemotte and baileymilitary historianRevolt of the EarlsRalph de GaelDomesday SurveybaileyOrford CastleHenry IIEast AngliaRevolt of 1173–1174Hugh Bigod, 1st Earl of NorfolkFlemishFrancis GroseCharles Knight'sShrove TuesdayPipe RollsWilliam de Burgh, Lord of ConnachtHubert de Burgh, Earl of KentGeoffrey de Burgh, Bishop of ElycastellanprisonsheriffEdward IIIconstableJohn HowardfelonsJohn SoaneThe Society of Antiquariansfee simpleWilliam WilkinsShirehallHMP NorwichBritannia BarracksMousehold HeathRobert Ketthigh treasonKett's RebellionTower of Londonoyer and terminerWymondhamEdward VI'drawn'hanged in chainsJames WoodfordNorwich City Halldouble murderRecorderAssizesWilliam CalcraftEdward BoardmanDuchess of YorkG. T. ClarkantiquaryengineerCaen stonearcadingCastle RisingEdward Thomas DaniellAnthony SalvinStonemasonBath stoneetcherwatercolouristHenry NinhamDawson Turnerfine art collectionceramicteapotsNorwich School of painterswatercolour paintingslandscapesPeter TillemansBoudicaAnglo-SaxonsHarford Farm BroochFountaine–NeimyLorina BulwerworkhouseThe Paston TreasureRobertOxneadmid-seventeenth century Dutchstill lifevanitasLower Palaeolithichand axeHappisburghpollentemperate woodlandRiver WensumWorthinggildedbronzerepoussé decorationVictorySpong Hillfunerary urnSnettisham HoardIron AgeSnettisham TreasureSnettishamAshwellthorpeMary, mother of JesusDragonsEnglandSaint GeorgebasketworkJohn CromeRobert LadbrookeJohn Sell CotmanNorfolk Regiment'sFirst World WarHistoric EnglandNational Heritage List for EnglandChisholm, HughEncyclopædia BritannicaArt UKBibcodeClark, George ThomasDickes, William FrederickGoodall, JohnWarren, W. L.Webster, LeslieEast of EnglandBedfordChelmsfordHighpoint NorthHighpoint SouthHollesley BayLittleheyThe MountPeterboroughWarren HillWaylandWhitemoorMilitary Corrective Training CentreBlundestonNorman CrossBullwood Hall