New Scottish Group
John Duncan Fergusson (1874–1961), who was the longest surviving of the group of artists known as the Scottish Colourists, had settled in France, but returned to Scotland in 1939, just before the outbreak of the Second World War, with his partner, the dancer and choreographer Margaret Morris (1891–1980).[4] Fergusson also illustrated MacLellan's edition of by Hugh MacDiarmid's In Memoriam James Joyce (1955) and his paintings from this period included Danu mother of the Gods, both of which combined elements of Celtic culture and modernism.Isabel Brodie Babianska (1920–2006), who had trained with de Banzie at the Glasgow School of Art, was influenced by expressionist Chaïm Soutine, as can be seen in the collection of grotesque faces in her painting Fiesta (1943).Expressionism can also be seen as an influence on the work of Millie Frood (1900–88), in dislocated landscapes such as October (1946) and Turning Hay, which included vivid colours and brushwork reminiscent of Van Gogh.Frood's urban scenes contain an element of social commentary and realism, influenced by Polish refugees Josef Herman (1911–2000), resident in Glasgow between 1940 and 1943[3] and Jankel Adler (1895–1949), who was based in Kirkcudbright from 1941 to 1943.
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