[1] From 1909, several of the miriskusniki (i.e., members of the movement) also participated in productions of Sergei Diaghilev's Ballets Russes company based in Paris.The theoretical declarations of the art movements were stated in Diaghilev's articles "Difficult Questions", "Our Imaginary Degradation", "Permanent Struggle", "In Search of Beauty", and "The Fundamentals of Artistic Appreciation" published in the N1/2 and N3/4 of the new journal.Like the English Pre-Raphaelites before them, Benois and his friends were disgusted with anti-aesthetic nature of modern industrial society and sought to consolidate all Neo-Romantic Russian artists under the banner of fighting Positivism in art.Bakst and Benois revolutionized theatrical design with their ground-breaking decor for Cléopâtre (1909), Carnaval (1910), Petrushka (1911), and L'après-midi d'un faune (1912).Apart from three founding fathers, active members of the World of Art included Mstislav Dobuzhinsky, Eugene Lansere, and Konstantin Somov.They published guide-books on Pavlovsk, St Petersburg, Hermitage Museum, an exquisite edition of The Bronze Horseman with illustrations by Benois and many more.