Michael Riesman

Michael Riesman studied composition with Peter Stearns and conducting with Carl Bamberger at the Mannes College of Music and got a B.S.The summer of 1967 he went to the Aspen Music Festival where he studied with Darius Milhaud, and won the student composition prize.[1] He had some early successes as a composer, most notably with "Phases", a work for electronically modulated piano, given a premiere in at the Metropolitan Museum in New York by Peter Serkin.In the years since, his role with Glass expanded and he took on the duties of music director and conductor, encompassing arranging, personnel management, and conducting theatrical and film works.This has included working as a beta tester and consultant for companies such as digidesign (now Avid) and Peavey, and writing music software for his own use.
Electroniccomposerconductorkeyboardistrecord producerPhilip Glass EnsembleMannes College of MusicAspen Music FestivalDarius MilhaudLeon KirchnerRoger SessionsEarl KimHarvardMarlboro Music FestivalTanglewoodFulbright fellowshipGottfried von EinemViennaNew York CitySUNY-PurchaseMetropolitan MuseumNew York TimesLuciano BerioOlivier Messiaen New York Philharmonic'sPublic TheaterSt. Paul Chamber OrchestraCarnegie HallPhilip GlassLucinda ChildsBrooklyn Academy of MusicLos Angeles PhilharmonicGrammyChicagoMilwaukee Symphony OrchestrasThe HoursDraculacomputer sciencemusic technologyPeaveyEinstein On The BeachGlassworksHearts and Bones - Paul SimonCarmina Burana - Ray ManzarekKoyaanisqatsi (Original Soundtrack)The PhotographerSatyagrahaSongs from Liquid DaysAkhnatenPowaqqatsi (Original Soundtrack)Passages - Ravi Shankar and Philip GlassBlack Tie White Noise - David BowieAnima MundiJesus' Blood Never Failed Me Yet - Gavin BryarsKundun (Original Soundtrack)Naqoyqatsi (Original Soundtrack)The Hours (Original Soundtrack)The Fog of War (Original Soundtrack)The Illusionist (Original Soundtrack)Book of LongingCassandra's DreamMonsters of GraceNotes on a ScandalMusic in Twelve Parts (Live Album)Neverwas (Original Soundtrack)Glassworks Live at Le Poisson RougeSymphony No. 3 - Suite from The HoursKeyboard MagazineThe New York TimesLos Angeles Times