Markus Imhoof

His next picture, Ormenis 199+69 (1969) also met with censorship, as it examined the role and treatment of horses in the cavalry and suggested that the unit ought to be disbanded.Imhoof was forced to make some edits before the film could be screened in public, removing scenes that military veterans found objectionable.His film Das Boot ist voll (The Boat Is Full, 1980) received international acclaim for showing the downside of Switzerland's neutral politics during World War II.The film depicted a group of Jewish refugees in 1942 being forced to return to Nazi Germany on order of the Swiss government and thus meeting their deaths in the concentration camps.[1] Imhoof's next film, Die Reise (The Journey, 1986) examined Baader-Meinhof's terrorism.
WinterthurSwitzerlandFilm directorScreenwriterbannedBaader-MeinhofRise and Fall of the City of MahagonnyTales from the Vienna WoodsHamletFalstaffThe Mastersingers of NurembergThe SeagullCosì fan tutteLucia di LammermoorNathan the WiseThe Abduction from the SeraglioRichard IIThe Boat Is FullThe JourneyMore than HoneyEldoradoThe MountainAngry KissesGreen Screen film festivalFriedrich DürrenmattGreystone BooksTheaterlexikon der Schweiz / Dictionnaire du théâtre en Suisse / Dizionario Teatrale Svizzero / Lexicon da teater svizzerYouTubeWayback Machine