Léon Vasseur

[3] In 1870 after eight years at Saint-Symphorien, Vasseur succeeded Marie-Louise Leroi-Godefroy as organist of Notre-Dame de Versailles, the former royal parish church of the kings of France.[1] He composed works for both his churches, including 20 motets, 2 masses, offertories, anthems and a Magnificat, and also an instruction book, Méthode d'orgue expressif ou harmonium (1867).It was not a success, but his second piece, La timbale d'argent (The Silver Cup), opened eight days later at the Théâtre des Bouffes Parisiens and ran for more than 200 nights.[4] Vasseur never equalled the popularity of La timbale d'argent, but his series of usually risqué operettas achieved modest success at a variety of theatres in Paris and elsewhere.[2] His first production, Hymnis, a comic opera by Theodore de Banville and Jules Cressonnois, proved too heavyweight for the taste of the Parisian public, and within a year Vasseur was forced to close the theatre.
Léon Vasseur in 1909
Notre-Dame de Versailles, where Vasseur was organist 1870–72
operettasBapaumePierre-Louis DietschCamille Saint-SaënsVersaillesNotre-Dame de VersaillesmotetsmassesMagnificatoperettaAlcazarcafé-chantantThéâtre des Bouffes Parisienssopranocomic operaOlivier MétraFolies BergèreAsnièresHauts-de-SeineWayback MachineRichard D'Oyly CarteLamb, AndrewInternational Music Score Library Project