Know What I Mean?
[6] Barely noticeable on the album cover is a small picture of Evans, directly underneath the sculpture (from the Bertha Schaefer Gallery) to Adderley's right.The AllMusic review by Rick Anderson stated: "It's hard to imagine any fan of mainstream jazz not finding much to love on this very fine recording."[12] The Penguin Guide to Jazz awarded the album 3 stars out of 4, stating: "The quartet date with Bill Evans was one of the last chances to hear [Adderley] as sole horn, and he sounds fine."[9] Keith Shadwick notes that the album "presented Adderley in an unusually lush and reserved but sympathetic setting that brings out most positively his deep appreciation of Benny Carter's playing, especially on the ballads."[13] The album was digitally remastered and released on compact disc by Riverside and Original Jazz Classics in 1987 with two bonus tracks, alternate takes of Gershwin's "Who Cares?"
Studio albumCannonball AdderleyBill EvansBell SoundSoul jazzHard bopRiversideProducerOrrin KeepnewsThe Cannonball Adderley Quintet at the LighthouseAfrican WaltzJulian "Cannonball" AdderleyModern Jazz QuartetMiles DavisKind of BluePortrait of CannonballJump for JoyPercy HeathConnie KayJohn LewisOdds Against TomorrowExplorationsEarl Zindarsjazz standardsNo Sun in VeniceWaltz for DebbyBertha SchaeferAllMusicDownBeatThe Penguin Guide to JazzRecord MirrorThe Rolling Stone Jazz Record GuideBenny CarterOriginal Jazz ClassicsGershwinWho Cares?Clifford JordanGene LeesGoodbyeGordon JenkinsGeorge GershwinIra GershwinNancy (With the Laughing Face)Phil SilversJimmy Van HeusenBell Sound StudiosDown BeatCook, RichardBrian MortonJones, PeterPresenting CannonballJulian Cannonball Adderley and StringsIn the Land of Hi-Fi with Julian Cannonball AdderleySophisticated SwingCannonball EnrouteCannonball's SharpshootersSomethin' ElseThings Are Getting BetterBlue SpringCannonball Adderley Quintet in ChicagoCannonball Takes ChargeThem Dirty BluesCannonball Adderley and the Poll-WinnersNancy Wilson/Cannonball AdderleyCannonball's Bossa NovaCannonball Adderley's Fiddler on the RoofDominationGreat Love ThemesAccent on AfricaThe Cannonball Adderley Quintet & OrchestraLove, Sex, and the ZodiacInside StraightPyramidPhenixLoversThe Cannonball Adderley Quintet in San FranciscoThe Cannonball Adderley Sextet in New YorkCannonball in Europe!Jazz Workshop RevisitedAutumn LeavesNippon SoulCannonball Adderley Live!Live Session!Money in the PocketMercy, Mercy, Mercy! Live at "The Club"Cannonball in JapanRadio Nights74 Miles AwayWhy Am I Treated So Bad!In PersonCountry PreacherThe Price You Got to Pay to Be FreeThe Happy PeopleThe Black MessiahMusic You AllDiscoveriesThe Japanese ConcertsMercy, Mercy, MercyDiscographyNew Jazz ConceptionsEverybody Digs Bill EvansOn Green Dolphin StreetThe Ivory HuntersPortrait in JazzNirvanaUndercurrentMoon BeamsHow My Heart Sings!InterplayEmpathyLoose BluesThe Solo Sessions, Vol. 1The Solo Sessions, Vol. 2The Gary McFarland OrchestraConversations With MyselfPlays the Theme from The V.I.P.s and Other Great SongsTrio 64Stan Getz & Bill EvansTrio '65Bill Evans Trio with Symphony OrchestraIntermodulationA Simple Matter of ConvictionFurther Conversations with MyselfWhat's NewFrom Left to Right