[1] Martinů became aware of the play by Neveux in 1932, two years after its premiere at the Théâtre de l'Avenue [fr] in Paris (8th arrondissement) on 7 March 1930.The work received its first performance at Prague National Theatre on 16 March 1938 (as Julietta aneb Snář), with Václav Talich conducting, a few months before Martinů made his last visit to his country of birth.There was a production by the Guildhall School of Music and Drama in 1987 conducted by Howard Williams, with the title role shared between Juliet Booth and Sarah Pring.[6] Following a performance at the Edinburgh Festival by a visiting Slovak company in 1990, the next UK production was by Opera North in 1997, with Rebecca Caine and Paul Nilon.The "extended diatonicism" of the composer's mature works features along with "motoric rhythms found in his Double Concerto of 1938, especially where the plot moves rapidly forward.Another Julietta suite, created by Zbynĕk Vostĕk, was recorded by Supraphon and issued with orchestral movements from other operatic works by the composer.[18] Michel, a traveling bookseller from Paris, finds himself in a seaside town in search of a girl whose voice has haunted him since first hearing it three years before.At a crossroads in the woods near a fountain, various people enter, all showing a lack of memory, including a fortune teller who forewarns Michel of something.