During the New York City show of her Dive Bar Tour (2016), Gaga added that despite the song's relevance to her family, she wanted the track to appeal to everyone who had suffered the loss of any loved ones.[17] Andrew Unterberger of Billboard noted that the lyrics, which pay homage to Joanne, are written in the first person,[18] but the context is derived from Gaga's family's perspective about her aunt's death.Dave Russell and Joshua Blair recorded it at Shangri-La Studios, Malibu, California, where they were assisted by David Covell and Johnnie Burik.[20] Tom Elmhirst did the audio mixing of "Joanne" at Electric Lady Studios in New York, with assistance from Joe Visciano and Brandon Bost.[20] Rob Sheffield of Rolling Stone described "Joanne" as "a touching ballad", where "any trace of disco or glam" is muted by her "ostentatiously squeaky fingers on the guitar strings".[21] Sal Cinquemani of Slant Magazine gave the track a positive review in comparison to other ballads on the album, stating that the song "boasts a sublime hook and a relatively restrained vocal performance".[22] Idolator's Patrick Brown said, "'Joanne' is definitely the best example of the 'real and personal' aesthetic Gaga has been talking up ahead of the album's release, full of pretty guitar picking and arguably her best vocal.[23] Writing for The Daily Telegraph, Neil McCormich called the track "lovely" and said it was "sung with unpolished directness, emphasizing lyrical themes of living a purposeful life"."[25] Writing for The Irish Times, Laurence Mackin called it "a gorgeous guitar ballad", saying that "it strips off the plastic pop armour and reveals a much tougher, rawer side."[26] Conversely, Jon Caramanica wrote in The New York Times that, "The title track features what's presented as the least-performed singing—listen to how she flattens out the vowel sounds, as a sort of gesture of accessibility—but it is too unsteady to lean on.[32] Joey Nolfi from Entertainment Weekly described the visual as "gorgeous", feeling that it "seems to favor the beauty of the journey over the destination... We still don't know where [Gaga] thinks she's going.[33] W magazine's Evelyn Wang commended Gaga for releasing a music video of an already old song, and noted how the clip was a "far cry from the psychedelic grindhouse bacchanalia of 'John Wayne', [and] is a stripped-down, folksy walk through the woods..."[31] Megan Reynolds from Jezebel agreed with Wang, described the video as "soft and quietly sweet" and added that "Gaga gives us the best version of herself" in the clip.[46] Leslie Helperin of The Hollywood Reporter described the scene as "fascinating", adding that "[Gaga's] grandmother seems resistant to all this emotional hyperbole, insisting that the loss is well in the past now.