[1] Stebbins first came to New York City from San Francisco to study for the stage, under a leading actress of Albert Marshman Palmer's Union Square Theatre.The following year, she accepted an engagement under Dion Boucicault, and later, was playing the leading part in Our Boys at Daly's Theatre, when she met Steele MacKaye, the disciple and successor of François Delsarte, who persuaded her to retire from the stage and study the Delsarte System with him for two years, promising her the leading part in a play which he was writing at the time.Stebbins' studied in physical culture included training in Swedish educational gymnastics, and aesthetic dance going to Harvard Summer School in 1892 for that purpose.She completed a new edition of her first work, The Delsarte System of Expression (New York: E. S. Werner Publishing Company), with a second part consisting of lectures and added instruction, illustrated by thirty-two pictures of statues.[3] Stebbins's work created more opportunities for late nineteenth-century American women to engage in physical culture and expression, especially in the realm of dance.