[13] In November 2007 Thomas W. Gaehtgens became GRI's director;[14] he was previously (1985–86) a visiting scholar with the Getty Center for the History of Art and the Humanities.[17] GRI holds two public exhibitions per year in its two galleries which "focus primarily on the special collections of the Research Library or on work produced by artists in residence".[29] The residential scholars program seeks to "integrate the often isolated territory of art history into the wider sphere of the humanities".[36] GRI publishes "Series Imprints" books in the categories of "Issues and Debates", "Texts & Documents", "Introduction To" (on "cultural heritage information in electronic form"), and "ReSources" (on the library's special collections).In 2011, it acquired Harald Szeemann’s substantial archive, consisting of more than 1,000 boxes of correspondence, research files, drawings, and ephemera, as well as some 28,000 books and 36,000 photographs.[54] In the field of performance art, the GRI collections include the papers of Allan Kaprow and Rachel Rosenthal, as well as Robert R. McElroy, who photographically documented many early “Happenings”.GRI’s photography collections include the work of French darkroom pioneer Louis Rousselet and the 19th-century travel photographs of Honoré d’Albert, VIII Duc de Luynes.The GRI collections also possess sketchbooks of many important artists, including Francesco di Giorgio Martini, Jacques-Louis David, Charles Percier, Adolph Menzel, Félix Bracquemond, Edmond Aman-Jean, Ernst Ludwig Kirchner, Malvina Hoffman, Diego Rivera, and Mark Rothko.Among GRI's special projects was "L.A. as Subject: The Transformative Culture of Los Angeles Communities" conducted between 1995 and 1999, whose purposes included "enhanc[ing] existing resources and develop new resources that support new research scholarship on LA and also encourag[ing] the preservation, conservation, and display of local material culture".[57] In 2000, the L.A. as Subject project was transferred to the University of Southern California, which continues to update and expand an online version of the resource directory."[59][60] At first the initiative consisted of grants to local museums and libraries as well as GRI acquiring "papers, videos, photographs, and other records from the period.The third set of exhibitions was "Pacific Standard Time: LA/LA" in 2017-2018, which sought to place Los Angeles and Latin American art in dialogue.[66] In 2011 GRI acquired Ed Ruscha's Streets of Los Angeles archive, which includes "thousands of negatives, hundreds of photographic contact sheets, and related documents and ephemera.