Francis Jourdain

[2] A stenciled panel by Jourdain with elegant, cleanly silhouetted images was shown at the 1900 Exposition Universelle in Paris.[1] Jourdain published many articles on modern art and aesthetics in which he attacked the ostentatious luxury that was typical of contemporary French design.It advocated standardization and industrial production as an alternative to individual design, required to rebuild the shattered French society and economy of the years following World War I (1914–18).An interior he designed for an Intellectual Worker was exhibited in 1937 at the Exposition Internationale des Arts et Techniques dans la Vie Moderne in Paris.The council included Paul Langevin, Jean Longuet, and André Malraux of France, Sir Norman Angell of England, Heinrich Mann of Germany, Harry F. Ward, Sherwood Anderson and John dos Passos of the United States and A.
Francis Charles Robert JourdainPaul-Albert BesnardIle-de-FranceFranceFrantz Jourdainceramicsdecorative artsSalon d'Automne1900 Exposition UniverselleAdolf LoosmodularL'HumanitéSocieté des Artistes DécorateursLe CorbusierWorld War IInternational Exposition of Modern Industrial and Decorative ArtsRobert Mallet-StevensExposition Internationale des Arts et Techniques dans la Vie ModerneWorld Committee Against War and FascismHenri BarbusseRomain RollandPaul LangevinJean LonguetAndré MalrauxNorman AngellHeinrich MannHarry F. WardSherwood AndersonJohn dos PassosA. A. MacLeodJ. B. S. HaldaneWorld War 2dreyfusardanarchistThe Grove Encyclopedia of Decorative Arts